Tarot, Geomancy, Astrology


Casting the Geomantic Chart

The heart and soul of Geomancy is the casting and reading of Geomantic Charts. Geomantic Charts have the same function as Charts in Astrology and Spreads in Tarot. They are the medium through which the reader interprets the messages of the animus mundi, or consciousness of the world.

Like with Tarot and Astrology, Geomancy relies upon the interpretation of symbols laid out in certain patterns before the reader. The interpretations of the symbols – in the case of Geomancy, the sixteen Geomantic Figures – is done through conscious thought processes while in a state of open-mindedness, allowing you to receive influences from your subconscious, bringing them to your consciousness’ attention. Your subconscious, in turn, is influenced by the animus mundi, which can help guide you in your interpretations if your mind and soul are willing to listen.

Geomancy is much simpler than most systems of esoteric “divination,” and requires almost no materials. All that you need is a way to generate a random number from one to two. You can do this by tapping on the ground and counting odd or even, by drawing cards from a deck, by rolling dice, by flipping coins, or by any other completely unbiased process. Personally, I use special Geomantic dice I made: four dice in the colors Red (Fire), Yellow (Air), White (Water, should be blue but I couldn’t find a blue die of the same style), and Green (Earth). On each die I drew either one dot or two dots, so that there were three of each. In order to generate one Geomantic Figure, I roll all four dice and arrange them in order to generate a Figure. For example, if I roll a 2 on the Red, a 2 on the Yellow, a 1 on the White, and a 2 on the Green, I have generated the figure Albus.

Like with Tarot spreads, there are multiple Geomantic charts that one can use depending on the question asked. Depending on the chart, methods of generation are different, but most charts are based off of the Shield Chart.

To generate the shield chart, the very first thing you must do is formulate the question you wish to ask, just like in a Tarot reading. The process can be found in this post. Clear your mind and prepare yourself for the task at hand in whatever way you wish. I personally focus on my inner self and my connection to the animus mundi, and call upon both of them for guidance. I think of the question I seek an answer to and keep it in my head. Once I am ready and I am sure that my mind is receptive to any answer and will not lean towards a biased interpretation, I draw the chart itself, as seen here. I then generate the first figure and write it in the upper right-hand slot. Then I generate the second, third, and fourth Figures – the Mothers – and place them in their proper places, before then using those symbols to derive the remainder of the chart (a process which will be discussed in a later post).

Once that is done, you have the basis for a Geomantic reading. There are ways to interpret the Shield Chart directly (a process discussed here), and once the Shield Chart has been interpreted, other charts (such as the House Chart) can be generated from it, to further shed light on the situation. Like with any other esoteric reading, when interpreting the chart, it is important to evaluate both the meaning of the Figure and its specific Position in the Chart. The two of those combined together. The Figure represents the energy, and the Position represents how it manifests. The House Chart can also help you explain where the energy manifests in your life.

Unlike with Tarot, a Geomantic chart is easy to finish. Generally, thanking the animus mundi and your inner guide for their guidance is a good plan, and generally after that all one needs to do is put away he materials and move on.

As a word of caution, the weather around you and the world’s environmental state can sometimes affect the results of a Geomantic reading. The purest results are achieved in a place far from the clutter of human civilizations, during a clear and sunny day. Troubled weather indicates that the animus mundi is troubled, and pollution in the body of the world – or corpus mundi – can also influence the interpretation of a reading negatively.

Astrological Angles

In the art of astrology, the sky is viewed as a giant sphere, which on paper translates into a circle. Astrological charts reflect this view, and are circular in shape, and operate on the ideas of cycles and turning. Because the chart is circular and involves ideas of movement, there are certain points on the circle, as seen on any chart, that have special significance. These points are evenly spaced around the chart, and are four in number, based around the intersection of the veritcal and horizontal axes of the sky. Each one of these points, called “Angles,” has a spcial significance. There are two Polarities of Angles. The first of these Polarities is the Polarity of Interaction (Self vs. Other), made up by the Ascendant and Descendant, which describe how you express yourself to others and how others express themselves to you.

The first Angle is the Ascendant, and the Sign that lies on this Angle is rising over the eastern horizon (the left of the chart). This is also called the Rising Sign, and is one of the three aspects of an astrological personality. It represents how your Sun Sign expresses itself to the rest of the world, and the mask that you wear when out in public; it is how you appear to others, and how your energy manifests.

The second Angle is the Descendant, and it lies opposite the Ascendant, setting over the western horizon (the right of the chart). The Sign here shows what it is that you seek when interacting with others; what you look for in your relationships, what qualities you seek in companions, and what energies manifest themselves in your relations with others.

The second Polarity of Angles is the Polarity of Function (Role vs. Actor). This polarity deals with how you as an individual interact with the larger world around you, and is made of the Medium Coeli (Midheaven) and the Imum Coeli (Undersky), which describe how you fit into larger society and how you as an individual fit into your own life.

The Medium Coeli is the Angle highest in the sky at the time of the chart, and so is also called Midheaven. This Angle represents your role in the world at large, and your utmost public face (not the Ascendant mask you wear, which appears even to close friends; this is the public self that even strangers can know, such as your internet profiles). It also represents how you fit into society as a whole, including your job, social circles, social class, race, gender, among other things.

The Imum Coeli is the Angle lowest in the sky at the time of the chart, and is also called the Undersky, as it was not visible during the time of the chart. It lies directly opposite the Medium Coeli, and represents your “backstage” and role, and corresponds to your private self, and how you express yourself outside of the public eye. It represents the emotions, feelings, and thoughts of you as an actor in the great social game, playing the role of the Medium Coeli.

The Astrological Personality

The purpose of the art of astrology is to better understand oneself and the world around you. In fact, that is the purpose of every esoteric art; to attain a new understanding of the life that you live and what makes it – and you, as an integral part of your life – work they way it does. Astrology explores this understanding through the use of astrological charts:  explaining and understanding different parts of yourself, an event, or another object based upon the position of planets and zodiacal signs at certain times. In this way, astrology is unique among esoteric arts, because it not only deals with static interpretation, but also of changing interpretation, by adding a concrete element of time into the mix.

Most commonly, astrology is used in the context of natal, or birth, charts, in order to help discover what astrological forces acted upon someone at the moment of their birth. These forces do not wholly or completely define who you are, and the position of the astrological planets, and even the very evolution of the art of astrology, are merely manifestations of the universe’s consciousness, or animus mundi, in the corpus mundi. The state of the universe at the time of birth affects the shape of that child’s life, expressing itself through biological and social factors, as well as bringing its own addition to the soul into the mix. These factors coming together, as expressed in a natal birth chart, represent the shape of one’s life. A more fundamental aspect of this shape is one’s personality, the baseline of which is laid down by three astrological Signs, and is then modified over the life course. These three Signs are the Sun Sign, the Moon Sign, and the Rising Sign (or Ascendant).

The Sun Sign – the Sign that the Sun was passing through at the time – is the most well-known of the three Signs, and is often used as the primary, defining factor of one’s personality. The Sun Sign defines one’s conscious perception of oneself, one’s purpose, and one’s sense of their own identity. It represents the present, and the progression of the years. It is the realm of the mind. It represents how you manifest to yourself.

The Moon Sign – that which the Moon was in at the time – represents one’s inner self and the subconscious; those parts of ourselves that we are not aware of, and those most private feelings that no one else is aware of. It also represents the past, and the passage of months. It is the part of one’s personality most in tune with intuition and emotions, and is the realm of instinct. It represents how your subconscious manifests itself to you.

The Rising Sign – the Sign that was emerging on the eastern horizon at the time – is also known as the Ascendant, and represents one’s outer personality and appearance; the mask that everyone has and presents to the world. It also represents the future and the passage of days, and represents how you attempt to achieve your purpose. It is the realm of perception. It represents how you manifest yourself to the rest of the world.

In order to truly understand someone’s astrological personality, they must understand these three Signs and how they interact. Common characteristics in any of these Signs indicate that that trait is particularly strong in someone’s personality. In interpreting the three Signs, one looks at the Sign’s meaning, and then at the position it occupies; for example, a Leo as a Moon Sign indicates that one is naturally creative and that they have a sense of pride deep inside of them that they may not be aware of, and are emotionally secure and assured. Leo as a Sun Sign indicates that your drive is to be creative, and your purpose is to display your abilities to the world. Leo as a Rising Sign indicates that outwardly you focus on elevating yourself in the eyes of others, and appear prideful or even arrogant, and are confident and self-assured, and in pursuing your Sun Sign’s purpose you are creative and confident.

Thoughts on the Celtic Cross

The Celtic Cross Spread is perhaps the single most commonly used Tarot spread in the Western world, or perhaps the entire world. It is generally the first spread – other than the simple three-card Past, Present, Future spread – that most Tarot books teach. The spread itself has been used so often that it has built up a lot of energy and interpretations as to its meaning.

The Spread itself is composed of two parts: the Cross and the Staff. The two parts of the Celtic Cross represent the two basic polarities that inhabit everyone’s life: Yin and Yang. Yin, the masculine, is represented by the four upright cards of the staff, and reminds us that everything progresses towards a goal (the top card of the staff represents the ultimate outcome). Yang, the feminine, is represented by the four cards surrounding the central two in a circle, and reminds us that everything also has a cyclical nature. The two cards in the center of the Cross – the central and supporting factors – represent the resolution of the duality of the Staff and Cross. In Druidic thought, dualistic thinking is resolved through the creation of a third choice, to avoid living in a world dominated by either ors. The two central cards connect the Cross and the Staff, and represent the third choice; the two dots in the Yin Yang symbol colored differently than their surroundings.

A rough image of the shape is the spread is below:

The Cross is on the left, and the staff is on the right. Those of you familiar with the Spread may immediately notice that I have numbered the positions differently than is standard. This is because, to me, the “standard” Celtic Cross numbering has never seemed to ring true, and the way above has always seemed much more natural to me; it was the way the cards naturally dealt themselves, rising from the influence of the unconscious to the influence of time, to the influence of the subconscious, focusing on rising through the levels of consciousness. Who am I to argue with the animus mundi?

When I throw the spread, I lay out the cards in the above order. The card in the first position represents the central factor of whatever question you have asked, and tells you what the most powerful energy in any given situation is. The second card is the secondary factor, and it can be either supporting, neutral, or contradicting. If it is a supporting factor, its energy will be similar to that of the central factor, and will work in harmony with it (such as The Lovers and Love). If it is neutral, the energies will have no interplaying effects on each other. If it is a contradicting factor, the energies will oppose each other in some way. In all cases, the energy of the central factor takes priority and has the most strength, but its energy is modified by the energies of the secondary factor,  changing it, strengthening it, weakening it, or sometimes, as in the case of a neutral factor, merely adding another layer of complexity and another central factor to the situation.

After dealing those two, I deal the rest of the cross in a zig-zag motion, starting at the bottom, going up to the left, then the right, then up. As I said before, this just feels natural to me. The four cards of the wheel are the influences on the situation, and represent how the querent’s own mind and the passage of time affect the situation. The third position represents unconscious influences on the situation, such as what might be going through the mind of the querent (most commonly) or those closely involved with him that they are not aware of that shape the querent’s perception of the situation. If this influence is a card associated with deception, the querent may not be being honest with himself.

The fourth position represents past influences; the weight of history and their past experiences, and how those things have shaped their worldview and approach to the situation. It can represent receding influences as well, and influences whose hold over the querent are weakening. The fifth position represents future influences or goals, and represents what the querent or others strive to achieve, and what might (remember that the cards do not tell the future) lie in store there. The sixth position represents conscious influences: those things that are at the forefront of the querent’s mind that they are very much aware of, affecting their actions with regards to the situation. If this card is associated with deception, then the querent (if it is not yourself) might not be being honest with you! It could also mean that they are possibly a dishonest party in the situation.

The Cross is made of two axes: a vertical one and a horizontal one. The horizontal axis deals with the passage of time; on the left is the past and on the right is the future. The secondary factor (the second card placed) is also associated with this axis, as it lies horizontally. It represents the present situation as well as what I listed above, and the transition between past and future. I should note here than many practitioners of the Celtic Cross spread lay out the cards so that the past is on the right and the future on the left. This interpretation is seen in Geomancy as well. This is a perfectly valid viewpoint, and I believe it arises out of the common trend of many languages (particularly Semitic languages like Hebrew, from which the Tarot derives some of its symbolism) to read from right to left. As I am a native English speaker, I read left to right, and so also read the passage of time in that manner. The difference is as simple as that.

The vertical axis of the Celtic Cross deals with levels of the mind, and how the querent acts upon and perceives the situation. At the top is the conscious mind, and at the bottom is the subconscious mind. As the central factor is vertical, it is also associated with this axis, and represents the ultimate reason for the querent’s interest in the situation, and the sum of their conscious and unconscious drives, as well as everything else discussed above. The three cards on this axis are reflected in Sigmund Freud’s conception of the mind: the conscious influences are the Superego, the police for of the mind that makes judgments and imposes values on the individual’s actions; the central factor is the Ego, which does its best to provide a realistic view of any situation; and the unconscious influences are the Id, the primal drives and unconscious desires that ultimately drive us all, and are repressed by the Ego and SuperEgo.

The Staff consists of four cards aligned vertically. The seventh position represents the querent’s position, and in some ways serves to sum up the Cross. It represents the biases and prejudices the querent might have, as well as how they have been approaching the situation up to this point, how they are dealing with it, and their role in the situation and how they effect their surroundings. The eighth position represents environmental factors, and the querent’s relationship to everything that surrounds him or her. This can be the people surrounding him, the physical environment she lives in, or anything else. Most commonly, it represents the influences that the environment have upon the situation and the querent, but can also sometimes represent the influences that the querent as upon the environment (a role shared with the previous position). These two positions are also associated with the horizontal axis of the Cross.

The ninth position represents the querent’s hopes and fears, as well as advice. it is strongly associated with the future influences position, as well as the secondary factors position. It is also a summation of the vertical axis of the Cross, and represents what the querent hopes to get out of the situation, or what they fear to lose from it. It can also give the querent something to think about, or a piece of advice that might help them deal with whatever is going on.

The tenth and final position of the Celtic Cross is the summation of the rest of the spread. It represents the probable outcome of the situation. Depending on the way that the energies of the spread work out, this can either represent the result of things don’t change, or the result if the spread’s advice is followed (the latter is more common). It tells you how the querent, the environment, and everyone else involved will be affected by and changed by the situation when it is resolved. It is strongly associated with the central factor as well as the conscious influences positions, as it represents the central factor of what is most likely to happen given everything else, and serves as a sort of second central factor card for the spread.

When I read any spread, unlike many people, I lay out the entire spread first before looking at the cards, rather than interpreting each card on their own before looking at their relationships to each other. This is a personal thing, and I feel like I can better understand the cards if I do it this way. Additionally, I do not read the Celtic Cross in the same order I lay it out. Generally, I begin with examining the first two positions, then move on to the horizontal axis of the cross (past to future), then the vertical access (unconscious to conscious), and then go onto the Staff. If I need clarification on anything, I generally look first to the cards linked with the confusing card’s position, then at the cards surrounding it and the general energies of the spread, and if that fails me, I draw another card.

Geomantic Elements

Like almost every esoteric art, Geomantic thought is strongly based around elemental theory and thought. The four elements play a very important role in determining the character and nature of each of the Geomantic Figures, and indeed, the very structure of the Figures reflects the elements.

Geomantic Figures’ Elemental Structure

The Geomantic Figures are each make up of four rows of dots. Each row of dots symbolizes and element, and the number of dots in each row indicates whether the element is passive or active. Thinking of the Figure as a Human body, the first row represents the head, the second the throat, the third the abdomen, and the fourth the feet. Each of these body parts has an elemental association: the head, full of ideas, creativity, and energy, is associated with Fire. The throat and its association with wind, communication, and the ability to reason with others in combination with the head is associated with Air. The abdomen and its association with the gut, instinct, and the heart are associated with Water, and the feet and their stability, grounded nature, and support are associated with Earth.

So, then the Geomantic Figure’s rows represent the elements of Fire (Spirit), Air (Abstract), Water (Emotion), and Earth (Material). Each of these rows has either one or two dots in them; one dot means that that row – and therefore that element – is active in the figure, and two dots mean that that row and element are passive. Every single Geomantic Figure reflects all four elements at some level, as all four elements are present in everything. However, passive elements are not expressed as strongly or “actively” as their active counterparts. Conversely, active elements are reflected strongly in their figures’ character.

For example, take the first Figure, Puer. In Puer, the active elements are Fire, Air, and Earth, while Water is passive. Fire is reflected in Puer’s drive to complete his quest. Air is reflected in the lofty, abstract ideals he abides by. Earth is reflected in the practical nature of his quest, and the stability he draws upon to complete his quest. Water, the sole passive element, is what he lacks, but is reflected still, as it is the thing that he desires, making it still an influence, but just not as powerful a one as the others.

The shapes of the Figures that result from these groupings of dots also often create images that reflect the character’s nature; for example, Puer is a sword, Amissio is an overturned bag, Albus is an upright goblet, Populus is a mass, Fortuna Major is a valley with a river flowing into it, Conjunctio is two triangles coming together, Puella is a breasted female, Rubeus is an overturned goblet, Acquisitio is two full bags, Carcer is two triangles facing away from each other, Tristitia is a stake driven downwards, Laetitia is a mountain, Cauda Draconis is footsteps leaving a door, Caput Draconis is footsteps approaching a door, Fortuna Minor is a mountain with a staff atop it, and Via is a road. Many of the Geomantic polarities can be seen in these figures, as opposite Figures generally have opposite shapes.

Outer and Inner Elements

In addition to active and passive elements, each Figure also has Inner and Outer Energies, which are also defined in terms of elements. An Inner Energy/Element is the element from which the Figure draws its strength, whereas an Outer Energy/Element is the element with which the Figure imprints itself upon the world.

Going back to Puer as an example, this means that its Outer Element of Fire means that Puer expresses itself to the world as a paragon of will and energy, and it is this youthful spirit that defines its outward appearance. Its Inner Element is Air, meaning that Puer draws its strength from ideals of justice and truth, and reason and abstract principles drive his spirit. More practically, Air fuels Fire (a very Earthy comparison). In all of the Figures save Populus, the Inner Element is an active one.

Ruling Elements

The Outer element is also known as the Ruling Element, because this is the element most strongly associated with the Figure. Like with Astrology, each of the Ruling Elements represent one aspect of the element’s energy, expressed in a certain way. Due to the way Geomancy is structured, the Outer Elements are repeated in many Figures, and so that is not enough to know in order to understand how they express themselves; doing that would be using the Tarot system. A more apt comparison would be to use the Astrological system of Modalities, and examine each of the elements as expressing Cardinal (Beginning), Fixed (Stabilizing), and Mutable (Adapting). In addition, I have added a fourth Modality: Closing (Ending). However, it is always important to remember that endings always lead to new beginnings. The Ruling Element and the expressions of each of the Figures are:

Puer (Cardinal)
Fortuna Major (Fixed)
Acquisitio (Mutable)
Cauda Draconis (Closing)

-Fire’s energy begins with the drive of Puer, seeking to complete himself and find what he is missing. His spirit is kept steady and his journey is kept on track by his strength of character, drawn from the energies of Fortuna Major. Using his indomitable spirit and personality, Fire uses the mutable energies of Acquisitio, translating the energies of Fortuna Major into an ability to gain things from the environment around him, changing himself as he continues on his quest. His journey ends when he finds what he is looking for after a final push, with the energies of Cauda Draconis.

Via (Cardinal)
Rubeus (Fixed)
Populus (Mutable)
Laetitia (Closing)

-Water’s journey begins with a desire to travel and take in all that there is to see; the energy of Via. On the way, however, Water’s emotions intefere with her goal, and she gives into the temptation of Rubeus, going wherever the wind blows her and enjoying life for what it is. She gets stuck as she gets lost in herself, unsure of who or what she really is. As her sense of self gradually vanishes, she realizes her connection with everyone around her, and is soon able to react and adapt to anything as she merges with the collective consciousness. At the end of her journey, she realizes that being sidetracked was the best thing that could have happened, as she is now content and happy with the energies of Laetitia and her understanding of her connection to the world.

Fortuna Minor (Cardinal)
Tristitia (Fixed)
Albus (Mutable)
Puella (Closing)

-Air’s journey begins with the instability of Fortuna Minor, as circumstances around the energy forces Air to embark on a journey to discover the nature of things. As Air descends from its lofty peak, it finds that reality does not match its pure thoughts, and suffers great sorrow and disappointment as she gets stuck in place by the stakes of Tristitia. After losing herself in sorrow, Air experiences the energies of the peacemaker and nurturer Albus, who helps Air to realize that any two things can be reconciled. Given strength once more, Air realizes that it must receive the world around it to truly understand it, and descends from its high-mindedness, willing to receive its material surroundings, exhibiting the energies of Puella.


Caput Draconis (Cardinal)
Carcer (Fixed)
Amissio (Mutable)
Conjunctio (Closing)

-Earth’s journey begins with a desire for a new beginning, as expressed by Caput Draconis. However, the limited viewpoint of the overly materialistic Earth limits his ability to truly make a new beginning, as he does not see all of the options available to him. He thus becomes imprisoned by his own mind, succumbing to the energies of Carcer. He becomes stuck until a tragic loss in the form of Amissio shakes him out of it, and he realizes that his stubbornness and limited view have made him miss out on what’s really important: meaningful interaction with those around him. Realizing he cannot continue on his own, Earth reaches out to the people around him, and everyone comes together in the form of Conjunctio to build a new life together.

Elemental Order

In Geomancy, unlike Tarot and Astrology, there is no real canonical Geomantic order.


Though the name of the art of Geomancy contains the prefix Geo-, this does not mean that the art places any special emphasis on the element of Earth. Rather, the term Geomancy refers to the fact that when you practice the art, you are reading the animus mundi of the world, universe, or whatever you choose to call it. As Geomancy is an old art, the title refers to the animus mundi of the Earth: Geo. The Earth is made up of all four elements, and all four are reflected in the art.

Geomantic Polarities

When one looks at the set of sixteen Geomantic Figures, it becomes apparent that it is easy to divide the Figure into two sets of “opposite” polarities. Polarities are a fact of the world around us – though not the only facts of the world around us, and it is important to remember that not everything is a binary – as everything has, in some form, an opposite. Geomancy embraces this dualistic view in terms of its symbolism, creating eight pairs of opposite Figures. Each pair of opposites presents the extreme views of both sides of a situation or crisis; and in order to resolve that crisis, one often needs to create a third option between the two, resolving the polarity and accepting both.

If two halves of the same Geomantic polarity are next to each other, it indicates that you should look especially hard at the polarity’s middle ground in order to understand the full range of the situation. It tells you that a mixing of the two polar parts is necessary to fully understand what is going on.


Puer and Puella represent the polarity of identity. Socially, humans have been taught that gender and sex are a fundamental division between humanity, based on clear biological differences. Gender was the first polarity, and to many, it is a fundamental part of our identity. Puer, the masculine, and Puella, the feminine, are the original Yin and Yang. This polarity asks who are you? Are you seeking or are you receiving? Do you act or do you let others act? Do you project or do you emote?


Amissio and Acquisitio represent the polarity of possession. Acquisitio is the Figure of Gain, and Amissio is the one of loss. It asks you what you have now, what you have to gain, and what you have to lose. This polarity does refer just to physical objects, but abstract things as well; what are you willing to lose? What have you lost? What can you gain? What have you gained? What do you care about possessing?


Albus and Rubeus represent the polarity of control. Albus is a calm, peaceful, collected figure in control of himself and his life. Rubeus is an energetic, aggressive, and haphazard figure with little to no self-control, completely given over to hedonism. This polarity asks us most fundamentally what parts of life are we willing to control through the energies of Albus, and what parts of life we are willing to let go of and abandon ourselves to the whims of the world through the energies of Rubeus. Do we maintain a separate peace with the world, understanding yet apart, or do we engage thoroughly in the world and lose ourselves in the joy of belonging, of risk, and of the most primal acts of mankind? Albus is, in some respects, a marker of civilization, while Rubeus represents the wilderness in its most primal, uncontrolled form. Do we embrace the seer within us, or the beast?


Populus and Via represent the polarity of purpose. Populus is associated with a passive orientation towards life, just going with the flow and moving with the masses. Via, on the other hand, is a lonelier path, and instead of just moving where the wind blows, one imbued with Via’s energies makes straight for their goal and does not waver. What parts of your life are working towards a goal for, and what parts of life can you just go with the majority? Which goals are important to you? What is it that you want out of life; to be one with those around you, or to work towards something else?

Fortuna Major/Fortuna Minor

Fortuna Major and Fortuna Minor represent the polarity of circumstances. Fortuna Minor is strength drawn from circumstances, and Fortuna Major is circumstances drawn from strength. Do you use the energies of Fortuna Major to shape your circumstances and make a better life for yourself, or do you rely on those around you and your existing circumstances to give you the strength you need to carry on? Where is the right balance of strength and circumstance for you?


Conjunctio and Carcer represent the polarity of interaction. Conjunctio is a confluence of forces, coming together to accomplish a task, whereas Carcer is an isolation of forces, each using solitude and focus to accomplish a task. Most fundamentally, this polarity asks if you are an introvert or an extrovert. Do you work with others, or do you work alone? When is each best for you? How do you do with social interaction? With being alone?


Tristitia and Laetitia represent the polarity of emotion. Laetitia, joy, and Tristitia, sorrow, are the two extremes of the emotional spectrum, with frustration, happiness, anger, fear, sadness, confidence, serenity, and all others in between. This polarity asks you to examine your emotional range, and when you should be sad or happy. Both emotions are a key part of life and existence, and one needs to fully understand both in order to appreciate being here; joy is less joyful without sorrow, and sorrow is less sorrowful without joy. Each depends on the other to help define itself. By accepting the polarity of emotion, one is able to understand how their feelings affect their perspectives and actions.

Cauda Draconis/Caput Draconis

Cauda Draconis and Caput Draconis represent the polarity of change. Both Figures are associated with violent change. Cauda Draconis’ change creates ends, and Caput Draconis’ creates beginnings. This polarity represents the nature of change and your reaction to it; do you adapt to it and let it take you in a new direction with the energies of Caput Draconis, or do you accept the end of a phase in your life and move on elsewhere? Do you make the changes with the focus of Cauda Draconis, or do you react to the change with the adaptable energies of Caput Draconis? The two halves of this polarity are surprisingly similar, and the middle ground is clear: acceptance of the cyclical nature of beginnings and endings and the constant change that everyone goes through.

Geomantic Progression

As with any esoteric art, the order in which the Geomantic Figures normally appear has significant symbolism in and of itself. Like Tarot Trumps, the order of the Geomantic Figures tells a story: the story of initiation.

The first step on the journey of Initiation is stepping outside and embarking on your quest, seeking completion and fulfillment through initiation, heading forth determined to find it. This is the energy of Puer. As you set out and begin your journey, you will inevitably experience a loss of some kind as you leave the familiar behind you and embark into the new. Often, initiates will also be asked to sacrifice something to prove their devotion. This is the energy of Amissio. This loss and its associated new experiences often grant wisdom to the initiate, and after the initial period of mourning contained in Amissio is over, will lead to a new understanding of oneself; the wisdom of Albus. You learn to value what you have and take care of it.

As you complete the first rites of initiation, you then come into contact with other hopeful initiates and other members of the order you seek to join, and you begin to learn their ways and understand the collective consciousness. This is the energy of Populus, as you begin to integrate themselves into the communal mind, and you learn by adapting to what others do around you. You draw strength from yourself, as learned by Albus, and apply it to the new, outer circumstances around you in order to gain new things; this is the energy of Fortuna Major. As you understand how to use your inner strength to your advantage, you come together and make friends with other initiates and older members in order to help you along in the process; this is the energy of Conjunctio.

The new relationships that you forge produce harmony and peace in the form of Puella. You learn to keep the harmony of the order by adapting and reacting to the things that others do on a scale less vast than that of Populus, being better able now to focus on detail. You accept your new path and are at peace with it. The energies of Puella seek union; an urge instilled in you by Conjunctio, and that you now seek more than ever, as you realize that union is what you need in order to produce the completion you sought.

As such, you begin to seek out union, and in the process lose sight of your goal for a brief moment, and descend into the realm of Rubeus, losing yourself in the hedonistic joys of life as an initiate and forgetting your true purpose in your attempts to reach union. You become dangerous to yourself and others, and need to be forcibly restrained and firmly brought back into the fold. When you are, you realize what it is that you can gain from the order, truly understanding it for the first time as the near-reality of your loss becomes clear to you. You gain knowledge from your experience, and a greater appreciation of those around you, and thus you begin to gain new things from the order. This is the energy of Acquisitio, as you abandon quick pleasures and exchange them for hard work in order to get ahead, having learned your lesson. You focus intensely on what needs to be done, and forget to seek union, instead locking yourself up in solitary confinement: the energy of Carcer. You cut yourself off from the world in order to be as good as you can, forgetting that you need other people. Eventually you realize this, and see that getting ahead is useless when you are lonely, and so you experience sorrow: Tristitia. You are suddenly lost and confused, and don’t know how to act anymore; you are not confident in yourself, and feel as if you can’t do anything right.

As you step back into the fold, however, the sorrow vanishes as they accept you back from your period of leave with open arms, and a sense of fulfillment, completion, and joy fills you as the energy of Laetitia lifts you up. You realize then that you are approaching final initiation, and that your old life and that journey is almost complete: the energy of Cauda Draconis. You again begin to focus on achieving initiation at all costs, and move forward as fast as you can. As you work, you pass the threshold without realizing it, and begin your new journey as a confirmed initiate: Caput Draconis‘ energies. You slow down and realize you have done it, and are proud. At first you might feel overwhelmed, because your new surroundings are rich and have much influence on your inner strength, which is still recovering and developing from your speeding race. This is the energy of Fortuna Minor, when your inner strength does not match your outer strength, and you learn that you need to depend on the environment around you to survive.

Eventually, however, your inner and outer strengths and selves begin to match up, and you are at peace, having come to terms with your initiation and your new life. You no longer wear any masks, and know more about who you are. But the journey is never over, and so you must wander on and start new quests, seeking more. This is the energy of Via, and reminds you that your initiation was only one step on a long road.

The World’s Greatest Fear

At the request of a good friend of mine, I did another reading looking at the world. This time, I am using one of my own recently-created spreads – my Conquering Fear spread – to examine what the world might be afraid of. The question I asked was “What factors should I look at if I seek to understand what the social, environmental, physical, and metaphysical world fears and what it might hope can be done to assuage those fears?” I used the Necronomicon Deck.

Position 1: The Underlying Cause of the Fear/Root of the Fear – Six of Cups

The underlying cause of the world’s fear is the Six of Cups, or the Satisfaction of Water. This indicates that the deepest root of the world’s fear is of increase, gain, happy expectation, and hope. This very interesting, as it seems to indicate that the cause of the world’s fear is optimism itself; it is afraid on its deepest level of hoping for the best. Why is this? It could possibly be because the world is afraid of hoping for better things, because it believes that its hopes and dreams will always be unrealized. I can understand this attitude; I feel this way quite a lot, and with the current situation of the world, these feelings are understandable; just look at how we’re handling climate change and all of our social issues. Despair and surrender are the cause of the world’s fear.

Position 2: The Form the Fear Takes – The Star

Again very interesting; the form that the world’s fear takes is Ishtar, the Star. They key thing here, I think, is that the form the fear takes is that of a guiding light; the Earth feels as if it is being misguided by its caretakers: the human race. We have caused many of the problems that the world is facing, and we are either doing little to fix things or exacerbating the problems. Our failure to effectively regulate environmental pollution is one example of this. Society also might feel that it is being misguided by its rulers, and is actually afraid of its guiding lights. The Star is also associated with a renewal of energy, and perhaps, again, the Earth is afraid of the form that this renewal of energy will take. Humans are sapping the Earth of its energy, and maybe it fears that we will be unable to find a renewable source of energy (literally and figuratively) before it dies. This explanation would make more sense if the card was reversed, but holds this way, too.

Position 3: The Effect the Fear Has on You – The Lovers

The Deep One and Bride represent the effects that the fear has on the Earth. In this case, I think it is safe to interpret the two Lovers as the Earth and the human race. The Fear, then, is directly affecting the loving and caring relationship we have with the world: natural disasters are striking more often, social unrest is occurring everywhere, and everyone is doubtful about the future. Looking at the situation from an outsider’s angle, the current world situation could be seen as a spat between two lovers, with the two needing to understand each other once again. Of course, the blame is not equally distributed, and humanity is more at fault here. The Fear, then, is creating a disconnect between the Earth/world and humanity, which just makes everything worse.

Position 4: The Reaction That May Benefit You – Judgment

The Guardian of Eden. Interesting; a reaction to the fear of hoping for too much is to bring about a final judgment and just end it all, righting all wrongs in one blow. Perhaps a good reaction of the world – materially and in the social sense – would be to punish those responsible for misguiding the human race (see Position 2), or just punish the entire human race. In the end, that is what will end up happening if we can’t stop our levels of pollution; climate change will punish us all, and the Earth will take this road to deliver herself from its fear, and wait for a new guiding light.

Position 5: The Reaction That May Harm You – Hireophant

Dagon. A harmful reaction to the fear of the guiding light is to stick with tradition. This, to me, seems like a blatant jab at conservatives; it will be harmful to do things just as we have always done, or to rely on the current authority (the current guiding lights) or religion to save us. To look at the past and make our responses based upon it will not help us in our moment of crisis, as we have never seen anything like this before. Tradition is not the answer; innovation is.

Position 6: The Source of Your Courage – Ace of Wands [Reversed]

Purpose. Motivation. Energy. The Matrix of Fire – reversed. The source of the Earth’s courage to do what must be done will come from hidden (hence the reverse) reserves of Fire and drive we never knew it possessed (if it’s going to bring the day of judgment to us all, then Fire will be necessary). The Fire it will draw its courage from is not a blazing bonfire, but rather a more subdued, steady flame; perhaps a reflection of the long path it will take, and its boundless reserves of inner Fire and spirit. The Earth thinks on a different timescale that people do, and so do society. The Fire that will give the collective consciousness and the physical Earth courage burns slowly but steadily and strongly, allowing for a stable source of courage.

Position 7: The Form Your Courage Takes – Three of Wands

The Establishment of Fire. The form the world’s courage will take will, paradoxically, be optimism. The underlying root of the fear of the world is hope itself, and in order to conquer the despair of having given up, the world will need to learn how to take control of its optimism. It will face its fear head-on and meet it, and absorb and transform the optimism. Optimism can provide the fuel for the drive for change, and the world will learn to harness its optimism despite its strong misgivings, perhaps using this optimism and slowly-building fire to bring about the Judgment that may come to pass, cleansing the world of those who defile it. This card is also associated with discovery, which again hints that the to create change courage will come (as it tends to do with social change) from progressives, who innovate and expand upon the old, not content just to accept things as they were or return to the past. A new order will be established, one that restores the balance of the Loving relationship between humanity and the world.

Position 8: The End Result of Conquering Your Fear – Three of Swords

Not a positive ending note; the Regret of Air. After conquering the fear through the energies of Fire, the world will experience regret. This indicates that there will be much loss before the world’s fear can be overcome, and its guiding lights are once again people it can trust and people it can believe in. This card can represent kept promises, as well, and perhaps could indicate that people will realize that they have a promise they must keep with the Earth, and will respect that covenant once more and care for it. Sorrow and grief will accompany the loss of fear and the gaining of optimism, which will be caused by this to transform into realism, and hopefully the world will be a better place for it.


Overall, a very unique reading. The world is afraid of its caretakers, and those in power – such as corrupt governments and humanity itself – because it is afraid of putting too much hope of trust in them. This has affected the relationship between humanity and the larger world, leading to a disconnect between the two that will end in a purging of fire fueled by the slow buildup of energy and willpower. Let’s see how this unfolds…

This spread is not particularly useful for these abstract questions, I think, and is really meant to be more for practical readings. Still, it was a very interesting exercise!


The Traveler – Way – Change, Road, Wayfarer, Candle, Journey – Outer Water, Inner Water

Via’s Figure resembles a road, and it is from a road that it derives its name. Every element is active in the Figure, making it an active manipulator of events, like the Tarot Magus or Magician. Its Inner and Outer Energies are both of Water, making this Figure completely at home with itself, with nothing to hide; its inner strength is matched by its outer strength, and the Figure is at peace with his emotion and can rely upon his intuition. Its inner life often goes unnoticed, however, due to its watery nature; it hides hidden depths, but only because others do not understand it. It is an active manipulator, but also is calm and receptive; over the course of a journey, this Figure reminds us that everyone can grow to master themselves. This Figure emphasizes the idea that the point of a journey is not to arrive; it is to grow, and the journey never really ends.

Via is associated with travel, and specifically directed, purposeful travel; Via does not wander, but rather knows exactly where it is going, whether or not it will ever reach it. It represents working towards attaining some grand goal in the distant future, and also reminds us that once that goal is reached, there will be another; life is an endless cycle of journeys. Via is a patient Figure with a clear direction and purpose, and represents the constant Change in our lives. This change, however, is under our control, and Via is the master of its life. Via seeks to experience everything and absorb it (another reflection of its watery qualities), and often remains silent, instead preferring to observe. Via is adaptable and always changing, and is slow to anger and equally slow to forgive. Unsurprisingly, Via is a Mobile Figure, as it is always moving. Astrologically, Via is associated with the compassion and passivity of the Moon and Cancer. Though Via possesses the ability to manipulate, it watches and waits instead.

John Michael Greer, in his book The Art and Practice of Geomancy, sums up this Figure well, as reminding us that “roads actually go nowhere, it is the travelers who follow them that go somewhere, leaving more of the road behind with each step” (p. 64).

Fortuna Minor

The Gambler – Lesser Fortune – Swiftness, Mountain with Staff Atop, Outward Fortune, Protection, Omen, Outside Help – Outer Air, Inner Fire


Fortuna Minor is the opposite of Fortuna Major, and represents the concept of “Lesser” Fortune. Unlike its opposite, Fortuna Minor represents fortune and luck that come not from one’s inner strength, but rather instead from their outer circumstances. Fortuna Minor represents Outer Strength and Outer Success, and indicates favorable circumstances. Unlike Fortuna Major, Fortuna Minor’s success is not steady; it is inconstant, in flux, unstable, fickle, and full of unexpected shifts, rapid change, and sudden changes in fortune. This is the luck that the Gambler depends on, hence its archetype; Fortuna Minor represents outer circumstances allowing someone to win big, but also warns us that fortune is fickle and fleeting, and that wealth won in this way will not stay forever.

Astrologically, Fortuna Minor is associated with Leo, the Sun Sign of creativity, and also with the Sun and its spiritual energy. Fortuna Minor is a very Mobile Figure because of this, and represents, in part, the ability to adapt and use one’s surroundings to their advantage. This Figure is opportunistic, presumptuous, bold, and proud. However, this is sometimes a facade, and this mask often hides insecurity, humility, and inner conflict. Inner strength is Fortuna Major’s forte, not Fortuna Minor’s. This is a sign of economic mobility, and context can help you decide if this movement is up or down. This Figure reminds us that resources flow, and are finite; if you gain resources, someone else loses them. As such, this card also reminds us to be generous and thankful for what surrounds us.

Fire and Air are the Active elements in this Figure, and Fire and Air are also the Inner and Outer Energies of this Figure (respectively). Fortuna Minor possesses the will of Fire and the logic of Air, but lacks the empathy of Water and the Grounding of Earth. Fire fuels Fortuna Minor, but all it produces is hot Air; masks and false bluster and bravado can be part of Fortuna Minor.