Dark Grimoire Tarot
The Dark Grimoire Tarot, published by Lo Scarabeo, is arranged like a traditional Tarot deck. The images are all fully illustrated, and the cards correspond roughly to their Rider-Waite counterparts. The illustrations or given a sepia wash and are very dark in their nature, which leads a reader to interpret the cards in a darker, more pessimistic may than they might have normally. The deck is based on the assumption that authors of horror – and particularly H. P. Lovecraft – have managed to have visions of a forgotten world that intersects with our own, and bases its symbolism around supernatural elements of horror.
In particular, the deck is based on the forbidden teachings of dark grimoires of magic, such as H. P. Lovecraft’s fictional Necronomicon – or is it fictional? The deck is designed to be a grimoire in and of itself, providing forbidden knowledge and insights into a forgotten world of magic. The deck’s illustrations and scarce explanations force the reader to rely more on intuition and individualized interpretation of the images than most other Tarot decks.
The Minor Arcana
The four suits of the Dark Grimoire Tarot are the typical ones, but with slightly altered meanings, referring to different aspects of the conscious self: Wands are Lights, representing Fire, creativity and sexuality, Chalices are Dreams, representing Water, emotions, and feelings, Swords are Demons, representing Air, thoughts, and control, and Pentacles are Shadows, representing Earth, matter, and needs. The numbers from one to ten also each represent a different aspect of each of the four elements, and each act as part of their own grimoire:
Ones: The cover of the book, telling and hinting at what is inside, and indicating the suit in its entirety.
Twos: The book opens, and begins to be read. The energy of the book and the energy of the reader collide, creating an obstacle and contest of wills.
Threes: The reader advances beyond the introduction, and sees the purpose of the grimoire, and he and the book are at peace, and unify. The reading becomes natural.
Fours: The reader begins to understand the grimoire, and he is fulfilled and in a stable frame of mind.
Fives: The reader stands upon a cusp: whether or not he should advance to a higher level of understanding, or remain in his current, comfortable mental state.
Sixes: The reader ponders his dilemma, and thinks of the possible consequences.
Sevens: The reader begins to take physical and mental actions to see if they wish to move forward.
Eights: The reader decides to hold back for his own safety, but experiences stagnation and a lack of completion.
Nines: The reader is driven on then, and experiences the full text, and so is completed but perhaps also conflicted, and may never be the same again.
Tens: The grimoire ends, and a new one must be read. The reader reflects.
The Court Cards
The Court Cards each also reflect the energies of their suits, and are set up in a standard fashion with a King, Queen, Knight, and Knave. However, the cards represent different aspects of the same personality, rather than four distinct ones. The Kings represent having achieved control over one’s shadows, demons, emotions, or creative light. The Queens represent the ones who guard the sources of these four elements, and represents one’s outlook and perception of the four forces of life. The Knights represent impulsive urges to act on the drives given to them by their shadows, demons, emotions, or creativity. The Knaves represent one beginning to understand themselves and how their four centers of consciousness relate to them, and seek to learn more about them.
The Major Arcana
The Major Arcana are typical of a Tarot deck, and reflect meanings almost exactly like those of the Rider-Waite deck, albeit with a warning embedded in each one, as well as giving a darker view of each of the meanings than is normal. The symbolism used is overtly taken from the works of Lovecraft and other dark horror writers, and the use of grimoires and forbidden knowledge is key in the events occurring in the scenes depicted.
The Necronomicon Tarot
The Necronomicon Tarot was designed by Donald Tyson, using the characters of H. P. Lovecraft (and others) as a means of exploring the deck. The deck assumes that the works of Mr. Lovecraft were inspired by a sort of astral projection that the man did in his dreams, and so actually represent glimpses into a real reality beyond our own. The deck is based on the Necronomicon that Tyson wrote, based in turn off of Lovecraft’s own fictional grimoire. The deck is then incredibly dark and gives a bleak outlook on things, and the cards all represent some aspect of a hidden reality that lies just behind the veil, out of our sight. The illustrations were done by Anne Stokes on a computer, and all of the cards are incredibly detailed.
This deck is most useful when you are trying to find some secret, forbidden knowledge that perhaps you should not know. This is not a deck completely of looking inwards and meditation, but also of revelation and dark secrets; this is a deck to use when you are looking to uncover things that you should not know, or secrets best left alone. Its dark artwork inspires pessimistic readings, and so this is not a deck for those unable to face the dark truths that lurk within us all.
The Minor Arcana
The Suits of the Minor Arcana are the four standard ones found throughout most Tarot decks: Wands for Fire and energy, Cups for Water and emotion, Swords for Air and abstraction, and Disks for Earth and practicality.
In addition to the Suits, each of the Minor Arcana has an associated number from one through ten, as is standard. What is not standard, however, is that the ten cards, when put in order, tell a very clear story from beginning to end, exploring the highs and lows of each suit (similar to the journeys undertaken by the energies in the Thoth deck through the Tree of Life). The meanings of most of the cards are similar to the standard ones. Each story uses characters seen in the suit’s Court Cards to get across the themes of each suit.
Wands
The story told in the Suit of Wands is one of power, domination, clashes of wills, and energy. It tells the tale of the union – and then war – between the Atlanteans and the Deep Ones, an inuman race that dwells deep below the waves. The Ace of Wands is called the Matrix of Fire, and represents this energy in its pure form, and the matrix from which the energy of the story comes from: it is the origin of the story. The tale starts with the Exaltation of Fire, and reflects the Atlanteans dominance over the world and seas, and the ideals that go with dominion and dominannce. The Deep Ones then make themselves known to the Atlanteans as seen in the Establishment of Fire, and a noblewoman meets a male Deep One and reaches an understanding with him, establishing an optimistic future. The Manifestation of Fire follows then, and the Deep One and the noblewoman are due to be married in an act of union and completion. The Bitterness of Fire makes itself known then as the Atlantean Empire expands, both strengthened and cursed by intermingling with the Deep Ones, and they conquer lesser races and enslave them, experiencing war and strife on a scale not before seen. The Atlantean Empire reaches its full height with the Rule of Fire, and now most of the Atlanteans have been mixed with the Deep Ones. Atlantis has worked hard and achieved its place in the sun. But divisions occur, and the last pureblood humans are scorned by the Deep Ones and the half-breeds, and the empire begins to fracture as Atlantis suffers the Ordeal of Fire. A sudden war begins then, as the Energy of Fire reaches it height, and competing willpowers clash in an outburst of fiery energies. But the Stability of Fire is restored as the Atlanteans use their knowledge to push back the half-breeds and Deep Ones, providing some measure of safety. In the end, however, the war is destructive for both sides, and Atlantis falls prey to its own struggle, and the Deep Ones take over what remains of Atlantis, leaving the dead Atlanteans to rot, having experienced the Burden of Fire, never having let themselves back down when it could have been for the best.
The Tale of Fire is a tale of excessive energy and fanatical energy. It is a tale of the extremes of war and union, of passion, love, hatred, and death. It is a tale of competitive relationships.
Cups
The story told in the Suit of Cups is one of acceptance, emotions, and inner discovery. The tale is set against the backdrop of a young man seeking initiation into the cult of the cat goddess Bast. It begins with the Matrix of Water, representing the web from which the tale is spun, and represents the energy of the Suit in its purest form. The tale begins with the Devotion of Water, as the High Priestess of Bast initiates the young man into the cult. It moves on then to the Abundance of Water, as the young man enjoys his new status and position among the cult, spending some quality dancing time with his new priestess companions, enjoying the good things in life. The Indulgence of Water follows, as the young man has had enough of his excesses, and has become dissatisfied, hungering after something more. He then experiences the Frustration of Water as his three companions – the priestesses and another young man – lie asleep drunk, content with what they had, while he feels dejected and alone, unable to fully enjoy what he has. The whole experience had not been what he had been expecting. The next day, he returns to the temple, shaven and clad in the linens of an acolyte, the initiation overwith, ready to start his new duties as a servant of Bast. The High Priestess accepts his service and gives him an empty silver chalice as a sign of his service beginning. He experiences then the Satisfaction of Water and a renewed hope. The acolyte then steps into the temple, and is shocked when Bast herself appears before him. Awed, he holds his chalice forth to be filled, but Bast denies him her milk, and though the acolyte yearns for her blessing he does not receive it. Angered at her refusal, the acolyte turns about and does not accept her denial turn into a welcome, and experiences then the Stagnation of Water. He shows disrespect to the goddess and throws away his success. Eventually the acolyte realizes his mistake and turns and accepts the Benediction of Water and of Bast, who in her wisdom forgives him. He has achieved that which he sought to. The Fulfillment of Water is the last step in the acolyte’s journey, and he finally comes to terms with himself and his relationship the Priestess (and Bast herself). bast has helped him realize who he is, and he is able to finally be content with his life.
The Tale of Cups is one of intimacy, revelation, and acceptance. It tells the tale of emotional relationships and one’s role in the world.
Swords
The story told in the Suit of Swords is one of betrayal, conflict, thoughts, ill-conceived plans, and the principles of love. It is set in Damascus, with a young nobleman falling for a harlot. The Matrix of Air, representing victory, intellect, and ideology provides the basis for the tale, which starts with the Reconciliation of Air, as the harlot and nobleman cease fighting and make-up, restoring peace to their relationship. The harlot has other contenders for her affection, however, and she and the bearded nobleman find themselves standing over the corpse of one of these suitors, and experience the Regret of Air at having killed someone, and in a dishonorable fashion. The slain man had friends, who find him and hold a funeral service for him, carrying his coffin through the streets of Damascus, and allow themselves the Repose of Air before their hunt for vengeance begins, taking a moment to rest and plan. They soon find the nobleman responsible, and humiliate him, stopping just short of killing him due to his powerful family, and the nobleman experiences the Weakness of Air. Angered at his humiliation, the nobleman hires an assassin and schemes to kill the other four mercenaries, performing the act of the Scheming of Air. The harlot is angered as well, and steals a sword from a swordsmith with the intention of avenging her lover with it. She experiences the Instability of Air, as unlike her lover’s plan, she has not thought far ahead and is letting passion cloud her judgement. The harlot rushes to the barracks where the slain man’s friends sleep, and finds them all already dead, each with a dagger in their body. Her course of action has suffered the Constraint of Air, as she is unable to fulfill her plan, as unforeseen events have stopped her. The Despair of Air follows as she meets again with her lover. The nobleman is irritated as the woman despairs, for she realizes that her lover will have to face justice now. The two of them are fighting, and doom seems imminent. The story ends with the Abandonment of Air, as the nobleman faces execution, having ruined his life.
The Tale of Swords is one of sorrow, justice, and the truth coming out. It involves relationships as well, in the abstract fashion that suits the Suit of Swords.
Disks
The story told in the Suit of Disks is one of practicality, power, secrets, and forbidden knowledge, and perhaps best represents the dark themes of the deck. The tale is in the form of a clandestine deal made between a necromancer and a sorceress. The Matrix of Disks provides the basis for the story, representing practicality, wealth, and power. The tale begins with the Inversion of Earth, as a ghoul extracts a woman from her grave under the watchful eye of a necromancer, amused at the cycle of life and death and his mastery over it. Meanwhile, a young sorceress takes the severed arm from a criminal hanging in a gibbet, having the Purpose of Earth within her. She knows what she is doing, and good at what she does, able to produce great works. Back in her study, the sorceress coats the hand in wax to make a Hand of Glory, lighting the fingertips, causing a Generation of Earth, and reveling in her power. In a nearby town, the necromancer stalks through the streets, experiencing the Trouble of Earth as he is taunted and stones are thrown at him. He darkly promises vengeance in his mind. he had been on his way to meet the Sorceress, and he gives her a payment of a child’s heart – possibly the heart of one of the children who taunt him endlessly – while she hands him the Hand of Glory she had made. In this way, they both experience the Reception of Earth. The Squandering of Earth comes next as the Hand of Glory fails in its desired role, the resources going into it being wasted. He has raised the woman he took from the grave back from the dead in, in spirit-form, and attempts to send her spirit back into her corpse through use of the Hand, which has no effect. He feels betrayed by the sorceress and is also frustrated. Admitting failure, he then performs an Analysis of Earth, looking over the woman’s corpse in an attempt to understand what went wrong. He then experiences the Fulfillment of Earth as he conquers the dead woman’s ghost, and she leads him to where a strongbox filled with a source of power. He finally then comes into Possession of Earth as he uses his gains to summon forth a terrible spectre that he shall use to rule the world.
The Tale of Disks is one of gain, sorcery, the material, and the pursuit and achievement of power. It too has an element of relationships in it, and looks at the practical side of them, and how they benefit the individual.
The Court Cards
The Court Cards of the Necronomicon Tarot are the standard four: the King, Queen, Knight, and Knave. They each represent powerful personalities emphasizing different aspects of the Suit’s energy: the King is a mature man, the Queen a mature woman, the Knight an immature male, and the Knave an immature female. The meanings roughly correspond to standard Rider-Waite meanings. The Necronomicon deck also names each Court Card:
King of Wands – Lord (willful, impulsive ruler)
Queen of Wands – Lady (strong, confident charmer)
Knight of Wands – Commander (fierce, rash officer)
Knave of Wands – Overseer (ambitious, courageous overlord)
King of Cups – Priest (sensitive, naive scholar)
Queen of Cups – Priestess (dreamy, calm introvert)
Knight of Cups – Monk (determined, scheming underling)
Knave of Cups – Scribe (gentle, loyal friend)
King of Swords – Assassin (clever, flighty dominator)
Queen of Swords – Harlot (graceful, perceptive dancer)
Knight of Swords – Mercenary (self-centered, intelligent problem-solver)
Knave of Swords – Thief (aggressive, reliable doer)
King of Disks – Necromancer (patient, industrious mechanic)
Queen of Disks – Sorceress (generous, reserved psychic)
Knight of Disks – Shaman (practical, humorless manager)
Knave of Disks – Auspex (caring, enduring decision-maker)
The Major Arcana
The twenty-two cards of the Major Arcana carry their traditional Rider-Waite meanings, albeit with a darker twist, but have all been assigned to an element of the Cthuylhu Mythos:
0 – Fool – Azathoth (Simplicity, Journey, Beginnings)
I – Magician – Nyarlathotep (Will, Manipulation, Skill)
II – High Priestess – Bast (Mystery, Wisdom, Guidance)
III – Empress – Shub-Niggurath (Fertility, Life, Sensuality)
IV – Emperor – Amun (Virility, Determination, Passion)
V – Hierophant – Dagon (Tradition, Religion, History)
VI – Lovers – Deep One & Bride (Love, Commitment, Trust)
VII – Chariot – Beast of Babylon (Conquest, Command, Glory)
VIII – Strength – Shoggoth (Perserverance, Defiance, Valour)
IX – The Hermit – I’thakuah (Discipline, Examination, Wisdom)
X – Wheel of Fortune – Yog-Sothoth (Change, Luck, Fate)
XI – Justice – Spawn in Sphere (Balance, Fairness, Rightness)
XII – Hanged Man – Well of the Seraph (Suspension, Delay, Sacrifice)
XIII – Death – Tsathoggua – (Transformation, Rebirth, Ordeal)
XIV – Temperance – Reanimators (Renewal, Health, Harmony)
XV – The Devil – Cthulhu (Rebellion, Arrogance, Animalism)
XVI – The Tower – Great Ziggurat (Monument, Disaster, Glory)
XVII – The Star – Ishtar (Hope, Cleansing, Renewal)
XVIII – The Moon – Hounds of Leng (Illusion, Danger, Deception)
XIX – The Sun – The Empty Space (Clarity, Purification, Vitality)
XX – Judgement – Guardian of Eden (Forgiveness, Restoration, Judgement)
XXI – The World – Yig (Completion, Conclusion, Fulfillment)
The major difference in meaning is the Tower, which Tyson interprets as either being a great monument or having a great monument topple, depending on its inversion. He also takes the common beginner’s approach of interpreting a reversed card as negative and an upright one as positive, which limits interpretations.
The Rider-Waite Tarot
The Rider-Waite Tarot is the most popular deck in use today. The deck was designed by Arthur Edward Waite, a member of the Hermetic Order of the Golden Dawn (who had a fierce rivalry with Thoth deck designer Aleister Crowley), and consists of the Order’s imagery, drawn mainly from Renaissance European symbols, though the structure of the deck itself is Kabbalistic in origin. The symbolism present in the deck is a watered-down version of that used by the Order itself, in order to not give away its secrets. Pamela Coleman Smith, another member of the Golden Dawn, illustrated the deck.
The Minor Arcana
The Rider-Waite Tarot has the four suits standard to Tarot decks: Wands representing Fire, will, and drive, Cups representing Water, emotion, and intuition, Swords representing Air, reason, and justice, and Pentacles representing Earth, practicality, and the material. Each numbered card represents a different aspect of the energy of the suit. Unlike many other previous decks, the Rider-Waite’s Minor Arcana are fully illustrated, with almost the same attention to detail given to them as to the Major Arcana. The cards depict human figures, as well as a number of the suit’s item equal to the card’s number, in such a way that the card’s meaning is clearly shown in the scene.
The Court Cards
The Rider-Waite deck uses the traditional Court Card setup: a King, Queen, Knight, and Page are the four cards. These four cards in each suit represent different personalities influenced by that suit’s energies: the King’s represent the wise, ruling figure in control of his suit’s energy, and acts as a sort of father-figure. He is also bold, and represents the Suit’s qualities outwardly. The Queen represents a mother-figure, also having mastered the Suit’s energies, but in a different way; her Suit-like qualities are displayed inwardly, through passive qualities. The Knights are courageous and active, not yet in control of their Suited impulses, and represent unbalanced applications of the Suit’s energy. The Pages represent personalities who have the desire to go out and do things in the way of their Suit, but are not yet ready, and so serve to urge the reader on to become more like the appropriate Suit.
The Major Arcana
The Rider-Waite deck, being the quintessential deck, has the standard Major Arcana set-up; twenty-two cards that focus around the theme of the Fool’s Journey, telling the story of life as an adventure, from the journey’s beginning as a young, naive child to becoming one with the world, and everything else in between. Each card represents one stage on this journey, and represent the experiences one goes through during their life.
The Thoth Tarot
The Thoth Tarot was designed by Aleister Crowley and illustrated by Lady Frieda Harris, both members of the Hermetic Order of the Golden Dawn. Crowley had a bit of a rivalry with Arthur E. Waite, a fellow member and designer of the popular Rider-Waite deck. Crowley sought to surpass Waite’s deck with his own, and used as much symbolism as he possibly could in it, borrowing from many cultures and disciplines. He renamed (and re-ordered and re-associated) some of the Trumps, and altered slightly the traditional meanings of several of the Minor Arcana, in order to be better reflect his own views on the Tarot.
Like all occult Tarot decks, the Thoth deck is based on Western Esoteric practices such as Astrology, Alchemy, Numerology, and Kabbalah. The Thoth deck, however, emphasizes the Kabbalistic aspect of the Tarot, and is very clearly based off of the Tree of Life and the ten Sefirot. In the book he wrote describing the deck, The Book of Thoth, Crowley spends a good deal describing the Sefirot and Naples Arrangement, as well as his views on the placements of the cards.
The Naples Arrangement and the Ten Sefirot
Just as the Kabbalistic Tree of Life has ten Sefirot, the Naples Arrangement has ten stages of existence, from the Point to Reality. Each Sefirot corresponds to a stage in the Naples Arrangement, and they share similar meanings:
1 (Kether): Spiritual Perfection – Point
2 (Chokmah): Original Harmony – Line
3 (Binah): Potential – Plane
4 (Chesed): Stability – Matter
5 (Geburah): Motion – Motion
6 (Tiphareth): Conscious Harmony – Experience
7 (Netzach): Sensitivity – Bliss
8 (Hod): Intellect – Knowledge
9 (Yesod): Crystallization – Essence of Being
10 (Malkuth): Reality – Reality
Just as the energy of EinSof flows through the ten Sefirot, existence passes through several stages: pure existence is represented by the point, which develops into the line and finally has distance, which then becomes the plane and begins to see its potential, and when the next dimension in added, matter appears. The matter then moves, creating motion, and with this motion the existence of time is implied, and so also the idea of an object having experiences that teach it. Emotions and thoughts are then implied by the existence of experience, represented by bliss and knowledge respectively. The idea of an ‘Essence of Being’ refers to the state of awareness of one’s own existence through knowledge of the previous states of being. Reality is, of course, the whole sum of the parts before it.
The Minor Arcana
In the Tarot, each number in the suits of the Minor Arcana correspond to their number in the Naples Arrangement and among the ten Sefirot of the Tree of Life, as can be seen here. The Aces represent perfection, the twos original harmony, the threes potential, the fours stability, the fives motion, the sixes conscious harmony, the sevens degenerate weakness, the eights intellectual weakness, the nines a crystallization of the suit, and the tens what happens when the suit is applied to reality. Each of these paths is interpreted individually for each suit, and so four different evolutions of energy are seen, that in theory cover most events that might occur in one’s life.
The four Suits are the standard Tarot ones: Wands representing Fire, willpower, and creative force, Cups representing Water, emotion, and passivity, Swords representing Air, logic, and principles, and Disks (often seen as Pentacles or Coins) representing Earth, practicality, and the material.
Each Minor Arcana card is named by Crowley according to its broad meaning, and each card has many different meanings that can be used when appropriate. The art on each card features the number of items of the suit equivalent to the number of the card, often with a background reinforcing the meaning. There are no other objects in this images, especially no living beings, which sets the Minor Arcana apart from the Court Cards and the Trumps.
The Court Cards
There are, as is standard in Tarot decks, four court cards for each suit. However, the Thoth deck has a different take on these cards. The four cards Crowley uses are Knights (normally seen as Kings), Queens, Princes (normally seen as Knights), and Princesses (normally seen as Pages or Knaves). The meanings of the Court Cards differ from other decks, in that each Court Card represents an association with a particular element. The Kings are Fire, the Queens are Water, the Princes are Air, and the Princesses are Earth. When combined with the element they represent, then, each Court Card represents one elemental aspect of another element, like so:
Knight of Wands: Fire of Fire
Queen of Wands: Water of Fire
Prince of Wands: Air of Fire
Princess of Wands: Earth of Fire
Knight of Cups: Fire of Water
Queen of Cups: Water of Water
Prince of Cups: Air of Water
Princess of Cups: Earth of Water
Knight of Swords: Fire of Air
Queen of Swords: Water of Air
Prince of Swords: Air of Air
Princess of Swords: Earth of Air
Knight of Disks: Fire of Earth
Queen of Disks: Water of Earth
Prince of Disks: Air of Earth
Princess of Disks: Earth of Earth
Through this system, the four court cards explore four different types of each element, to better understand the whole. As is normal in Tarot decks, these cards also represent personalities – and in the Thoth deck, these personalities are defined in relationship to the elements. The art on each card shows a single figure, as well as their surroundings. The Knights are always riding horses to indicate their willpower, and the Princes ride chariots to indicate their aloofness and forward progress. The Queens are always reclining on thrones as suits their passivity, and the Princesses are usually standing on their feet, being practical and down-to-earth.
Major Arcana
The Thoth Major Arcana each correspond to a one of the paths between the Sefirot of the Tree of Life. Each card is also associated with either an element or astrological symbol, as well as with a Hebrew letter, linking together many disparate esoteric schools. The Major Arcana for the most part also carry standard meanings as seen in the Fool’s Journey, but have the added depth of also being associated each with two of the Sefirot and the connection between them. Aleister Crowley also made some changes in the ordering and associations of the Major Arcana; in his deck, he switches the cards Justice and Strength from the standard Rider-Waite setup, and also renames them both: Justice becomes Adjustment and Strength becomes Lust. these new meanings and names better suit their placement on the Tree of Life.
Crowley also switches the normal interpretation of the Major Arcana’s positioning on the Tree of Life (the association with the paths between Sefirot is not a new thing; Crowley merely emphasized it strongly). The Emperor, normally the connecting path between Chokmah and Tiphareth, he places between Netzach and Yesod, while the card normally there, the Star, he places in the Emperor’s normal place. This switch also serves to change the Hebrew letters associated with each card. This switch is very controversial, and not all agree with it.
Crowley also changes the names of many of the Arcana from the traditional; the Magician becomes the Magus, the High Priestess becomes the Priestess, Justice becomes Adjustment, the Wheel of Fortune becomes Fortune, Strength becomes Lust, Temperance becomes Art, Judgement becomes the Aeon, and the World becomes the Universe. This is in keeping with Crowley’s own interpretation, as well as his grand ideas, and incorporates elements of the religion he founded, Thelema.
The art on each card depicts usually a figure of the object in question, and is full of symbolism and very detailed.
The Major Arcana
The Major Arcana, or the Trumps, are the twenty-two Tarot cards that do not belong to one of the four Tarot suits: Wands, Cups, Swords, and Disks. The Major Arcana are sometimes referred to as the suit of the “Spirit” (as the four suits correspond to the elements Fire, Water, Air, and Earth). The Major Arcana can then, in a way, be connected with the Sefirot of Daath, which lies above the plane of the Tree of Life. However, Kabbalistically, the Major Arcana are usually thought of the paths connecting the ten Sefirot, linking them together. Each Major Arcana card corresponds to one of the connections between the Tree of Life, and shares characteristics of both of those points, and represents energy flowing from the lower-numbered one into the higher-numbered one.
The Tree of Life represents the flow of energy from the divine realm of EinSof into reality (Malkuth). It is a form of Kabbalistic Theosophy; an attempt to examine the what God might look like. The energy of EinSof passes through ten points to arrive at reality, in an order corresponding with the Naples arrangement – from original spiritual perfection to reality. The energy does not just flow strictly in this order, and indeed connects many of the other Sefirot, joining them all to make the Tree of Life.
The Major Arcana cards that lie on the “numbered” and “ordered” path of the Sefirot are The Fool, the Empress, a blank spot (Binah and Chesed are not connected), Lust (in the Rider-Waite tradition, the card in this spot is Justice), Adjustment (numerically Strength in the Rider-Waite tradition), Death, The Tower, The Sun, and the Universe (the World in the Rider-Waite tradition). These cards form the “natural” path of the energy of EinSof, and reflect the most important aspects of the Fool’s Journey (see below for full details on this). Kether is connected to Chokmah by the Fool, who begins his journey inspired by his spirit and ready to leap into action. He is guided initially by his mother (the Empress), who helps him realize his full potential. Following that, he is hesitant to leave the home and the safety of his mother for a little bit (hence the blank spot), but eventually summons up the courage and goes. He is initially strong and focused on his journey, but quickly realizes that he has to learn to master himself and control his impulses now that his mother is no longer there to help him (Lust). He then learns how to balance himself and reach an accord with the rest of the world through his new ability to adjust himself (Adjustment). However, his satisfaction is disrupted by a traumatic event and a drastic change in his life (Death). He feels as if all is lost (The Tower) and that he can never recover, and then sees the light of the Sun, and realizes that in every ending there is a new beginning. He picks himself up and moves on, finally realizing who he is and how he fits in with the universe (the Universe/World).
The Major Arcana, when looked at numerically, also tell a story known as The Fool’s Journey. In this journey, the reader is the Fool (O), about to set out on a journey, a naive young man or woman ready to unlock his full potential. The journey the Fool is setting out on can be any journey, and mirrors the journey of life. The Fool represents the start of the journey. The first few Major Arcana represent the early personalities that he encounters that influence his life, just as a young child is strongly influenced by the personalities around him. The Magus (I) is one of the most powerful personalities to come to him first, and represents the teacher who may have initially aroused the Fool’s interest, and who guides him initially in his quest, giving him knowledge from above, and telling him what his purpose is. The Magus encourages the Fool to go forth, and gives him the tools necessary to succeed. Interested in the Magus’ words, the Fool seeks out the advice of the Priestess (II), who tells him what will happen, again channeling divine knowledge, and showing the Fool the mysteries of life he shall discover on his quest.
The Fool then prepares to leave, and says goodbye to his mother, the Empress (III). She is the nurturing, caring figure who raised the Fool to be the way he is, and she does her best to make sure the Fool is ready for what is coming. As he leaves the home, he bids farewell to his father the Emperor (IV) as well – the stern man who made the Fool’s life possible and who taught the Fool the basics of how to live through his example.
As he leaves the house and passes into the village, he encounters the Hierophant (V), who blesses him and his journey, and formally initiates him into the community and into the wider world. He educates the Fool and teaches him how to survive in the world beyond, and then wishes him well and sends him off. The Fool is eager to finally be off, and needs no urging.
As a young man, he quickly becomes overpowered with passion for another individual he meets on his way, and becomes one of a pair of Lovers (VI). He feels a sense of true intimacy with someone outside of his parents for the first time, and he exalts in it, feeling compelled to do all he can in this person’s honor. Filled with a fervor, he decides that he will make the world a better place through his strength, and so embodies the spirit of the Chariot (VII). However, he soon is dragged back to reality and sees that he can’t do everything by himself, and learns how to balance his urges with practicality through a state of constant Adjustment (VIII). He begins to learn how to balance his own needs with that of his lover and the rest of the world.
Intimacy can be stifling, however, and eventually that period ends as the Fool seeks to balance out that aspect of himself, as well. He retreats into the wildnerness and lives alone as a Hermit (IX), unsure of who he is, and wanting to be separate from his lover. He ponders and meditates on the meaning of life, and when he emerges from his solitude, the Fool has changed, and has a greater understanding of who he is.
However, in his absence, the world has changed. Time passes and fortunes change, and those that the Fool knows are no exception. The first Decade (Trumps O-IX) has ended, and things are about to change drastically. The wheel of Fortune (X) affects us all, even the Fool, and his life suddenly takes a drastic and unexpected turn, as everything around him changes. He must learn then to master his inner emotions that react strongly to these changes, and discover for himself when to give into them and when to control them, channeling the power of Lust (XI). He finds this harder to do than he thinks, and as the changes of Fortune run through his life, decides to again just step back from society and reassess his position – and he realizes that the only way he can win and get what he wants is by giving everything up. He has realized the secret of the Hanged Man (XII), and decides to just go with the flow.
As the wheel of Fortune has shown, life is anything but stable, and a second, even more drastic change sweeps through the Fool’s life, and a period of his life ends as another begins: he has experienced the power of Death (XIII). Not necessarily in the physical sense of the world, but in the metaphorical sense; he undergoes a time of transition as he wrestles himself back into control, and sees for the first time with open eyes the power of forces beyond his control, and the inevitability of drastic change. He becomes serene and calm at this realization, and finally manages to control his Lust and manage the massive changes that have affected his life. He learns that he must do things in moderation, and learn to balance himself. He begins to grow and mature, and sees that he is not alone, and that by combining himself with others, he can make the whole greater than the sum of its parts. He has learned the secrets of Art (XIV) as he achieves once again harmony with the world.
Or has he? The Fool, in his quest for harmony, eventually falls into the trap of the Devil (XV), and is blinded by his ignorance and chained. He might not realize it as he blunders through his life, but he does not see the full picture – until he learns to see everything from a new perspective. As he does so, his prison is shattered and his life flips topsy-turvy, throwing him completely off course again. He suffers the unfortunate fate of the falling and toppling Tower (XVI), and sees ruin and the changing of an era before him. However, he also has broken free of the prison that held him, shocked out of it by a traumatic event that also leaves him in pieces.
But he slowly puts himself back together, and experiences the calm after the storm: the Star (XVII). He sits back and reflects, and sees that there is hope after all as energy from the heavens pours down into his life. Encouraged by the (seeming, at least) immortality of existence, he gets back up and moves on. Perhaps, though, he was not ready, as he is still disoriented and confused, and the shocking re-entry into reality may have been too much for him. He is misled by many and becomes confused and lost as the light of day is eclipsed by the Moon (XVIII). He no longer knows what is real and fears the return of the Tower. However, a moment of clarity eventually reaches the Fool’s mind, and the Sun (XIX) bursts into its full glory, banishing the ambiguity of the Moon and showing the Fool what he needs to know, allowing him to see his life with clear-cut vision. He rejoices and dances for he has emerged finally from some dark times indeed.
As time passes, the Fool ages, and he sees the Aeon (XX) change. He notices how things never remain constant, and that time inexorably rolls forward and everything grows – including the Fool. He has had a long journey, and finally sees how it has helped him grow a little bit at a time, teaching him lessons he needed to know. Finally, with that realization, he completes his journey and becomes one with the world, having realized who he is and what his role in it shall be – he now understands as much as he can about the Universe (XXI) – and is ready then to begin a new journey as he finally integrates with everyone around him and accepts his existence fully for the first time as he is.
The Major Arcana are also each associated with the twenty-two letters of the Hebrew alphabet, and share there numerological and Kabbalistic meanings. Additionally, the twelve cards associated with Hebrew single letters are also associated with astrological sun signs (whose meanings the cards reflect), the seven cards associated with Hebrew double letters are also associated with astrological planets, and the three cards associated with Hebrew mother letters are also associated with the three elements above Earth – Fire, Water, and Air.
The Major Arcana are the most extensively studied and the most complex of the Tarot cards, having many different meanings. The true secrets of the Tarot lie hidden in the Major Arcana, which tell of our journey through life and EinSof‘s journey to reality.
The Universe
XXI – Tav – Saturn – Sign
Experience, Fulfillment, End of a Journey (and the Start of a New One), and Actualization (of Potential)
The Universe (the World in the Rider-Waite tradition) corresponds to the Hebrew letter Tav, symbolizing a stamp or seal. Tav is the last letter of the first word of the Torah, symbolizing the ultimate origin, and the end process of creation. It is also the last letter of the Aleph-Bet, causing it to act somewhat like a seal, capping the end of existence and providing it with the authority of truth. However, as the letter Tav is only the last letter of the first word in the Torah, it is implied that there is continuation after the end. So while this is a letter of endings, it is also a letter of new beginnings. It is a sign of righteousness symbolizing life eternal, and the continuation of existence even after the end (such as the World continuing on after the Judgement).
This letter is extremely appropriate to the last of the Major Arcana. The Universe means all of these things that the letter Tav does; it represents both the end and the beginning, as one journey ends and another begins, and also represents the state of the world at the end of things, summing up all that came before it.
Astrologically, the Universe is equivalent to Saturn, which is the Planet of limitation and discipline. It represents slow growth through experience, and getting exactly what you deserve; no more and no less (a form of righteousness). It represents coming to your full self along with the rest of the world, simply by living in it.
And the Universe as a card represents very much this ideal. It represents harmony and the world, and absolute completion and fulfillment; the zenith of one’s life. The Universe is the card that comes at the end of the Fool’s journey, and represents his spiritual being at that point, full of experience. He has learned the ways of the world and has become fully integrated into it, accepting his place there. The journey has ended, but a new one will soon begin. This card represents one being at peace with themselves in the world, finally realizing who they are and how they should live. It represents combination and fullness, and the whole picture coming together. It is the realization of the Fool’s potential.
On the Tree of Life, the Universe stands between the Sefirot of Yesod (Essence of Being) and Malkuth (Reality) – it represents what happens when one comes into Reality having fully realized who they are themselves (Essence of Being), which allows them to accept their place in the larger world (Reality).
In a reading, this card asks you to examine the role that you sense of self-identity and the world play in your life. It asks you if you are sure of who you are and where you should be. It advises you to start looking for a new beginning, for the journey you have been on may soon be ending. Are you well-integrated into the world? Reversed, this card’s energies are hidden, blocked, or twisted somehow; perhaps the universe you are integrating to is smaller than you think, or your fulfillment is hollow – or perhaps you have gotten more or less than you should have out of your recent journey.
The Aeon
XX – Shin – Fire – Year
Sweeping Transitions, Absolution, Cycles of Time, and Revelation
The Aeon (Judgment in the Rider-Waite tradition) corresponds to the Hebrew letter Shin, which represents fire burning from a coal. This is appropriate, as the Aeon also corresponds to the element of Fire. Specifically, the fire of Shin is the fire that springs from a coal, representing cleansing flame that comes from within. The letter Shin also means “change,” specifically of a cyclical nature – such as the passing of the seasons within the Year. It represents natural changes towards the future, and the constant motion of the world. It represents also the passage of time, and the progression through various Aeons, as is appropriate to the card representing the Aeon.
In the Rider-Waite tradition, this card is Judgement, referring to the time of judgement during the apocalypse – a time when the world will end with Fire (corresponding to the card’s element), and the angels will call forth all the souls in the world to be judged. The Rider-Waite art illustrates the scene after the world has ended, with an angel blowing a trumpet to call the souls of the world to rise from the water and prepare to be judged.
The Thoth card interprets the idea of a Judgement more broadly, and instead of defining it as the last Judgement, shifts the meaning slightly to incorporate all vast periods of worldwide transition – such as the passage of the Aeons. As Aeons usually change with bloodshed and chaos, Fire seems to be an appropriate sign for this card. The Judgement depicted in the Rider-Waite art is the final passage of the Aeons, while the Thoth card represents all such Judgements and changes that occur.
The card of the Aeon, them, represents vast change affecting the whole world, and transitions from one state into another. The card Death (XIII) also is associated with transitions, but Death refers to more personal transformations, while the Aeon indicates transitions in the world around you. It represents judgement, change, transition, and transformation. In its guise as Judgement, it also represents rebirth and absolution, washing away the old in order that the new can rise. As one’s sins are stripped away, one can suddenly gain insight into the world and the passage of time, and experience epiphanies and revelation.
On the Tree of Life, the Aeon stands between Hod (Knowledge) and Malkuth (Reality), representing most the idea of revelation and insight of Malkuth into the workings of the world, into the Knowledge of Hod. It represents the logical structure of the world coming into play in reality.
In a reading, this card asks you to examine the role of cycles, rebirth, and change in your world. Is the world around you undergoing drastic changes? Do you have a chance to start anew, without the past coming back to haunt you? Have you recently experienced an epiphany? Reversed, this card’s energies are twisted or blocked somehow; perhaps the world really isn’t changing that drastically, or perhaps your insights are not what they could be.
The Sun
XIX – Resh – Sun – Head
Clarity, Vitality, Security, and Consciousness
The Sun corresponds to the Hebrew letter of Resh, which roughly means head, or beginnings. It also corresponds to the existence and effects of poverty in the world, particularly the selflessness that comes after one has been poor previously. It represents also (as can be seen by its meaning and original pictograph of a head) consciousness and thought, as well as clear awareness of what is going on around you. This card symbolizes the beginning of knowledge that comes from having a clear head and understanding the need to both fear and love God.
Astrologically, the Sun’s equivalent is… the Sun! The Sun, as a planet, symbolizes one’s conscious identity and sense of self-purpose. It represents confidence and clarity of mind, as well as spirit and energy as well. It serves primarily as a symbol of a strong self-identity, however.
The card of the Sun, similarly, is a card of clarity, vitality, and energy. Like the Moon is a card of the darkness, the Sun is a card of the morning. It represents fertility and rebirth, as well as new beginnings. It represents conscious thought and clarity of purpose, mind, and spirit. The Sun is full of energy and vitality, as well, and represents rejoicing in the fact that the darkness has gone. The Thoth art captures this energy and celebration well, in showing two winged children dancing before a hill, while the sun sends out spiraling energy in all directions. The Rider-Waite art similarly has a happy child on a horse, with the beaming sun behind it. The colors on both cards are bright and clear, with no ambiguity. In the background of the Thoth card we can also see a hill surrounded by a wall, indicating security and comfort.
The Sun is also a card of sanity and freedom, breaking out of the darkness of night; the sun has risen from behind the eclipsing Moon and daylight has been restored, bringing much relief. This card represents flowering and hope, as well as the idea of living by conscious principles – another meaning of the wall – in order to provide security and eliminate ambiguity and shadows from your life. Lastly, the Sun also is a card of generosity and giving, as the sun gives its light to the people on the Earth.
On the Tree of Life, the Sun lies between the Sefirot of Hod (Knowledge and Intellectual Weakness) and Yesod (Essence of Being). The Sun, then, is the path from conscious application of knowledge, and learning from one’s intellectual failing and weaknesses, to finally coming fully into yourself. The Sun represents the conscious application of wisdom to make your life’s purpose clear.
In a reading, this card asks you to examine the role of clarity in your life. Do you know where you’re headed? Have you come out of a dark phase in your life? Are you thinking straight? Do you have principles? Are you filled with energy? Reversed, this card’s energies are hidden or twisted somehow; perhaps the clarity you are experiencing will be short-lived, or perhaps you are clearly looking in the wrong direction.
The Moon
XVIII – Qoph – Pisces – Monkey
Illusion, Fear, Madness, and the Coming Sun
The Moon corresponds to the Hebrew letter Qof, symbolizing a monkey, or grasping and touching (as monkeys are wont to do). The letter Qof also represents the inner sparks of life being enlivened, just as in the card of the Moon, despite its inherently dark nature, there is always a hidden spark (in the Thoth art represented by the sun’s presence). However, the letter also represents the dark vapor that lingers over corpses, symbolizing both life and death, and representing the reality of the world. The letter is associated also with monkeys, who grasp and touch the world to uncover its truth, and who also often fail to understand it. The ape of illusion is seen on the Thoth’s Magus card, and it is the monkey of illusion whose thoughts are seen reflected in the Moon, for the Moon is a card of disconnect, paranoia, and fear.
Astrologically, the Moon corresponds to Pisces, representing unity and compassion. The Moon shows the dark side of the Sun Sign, and represents what a martyr might see before he gives his life – a dark world in need of help, that most people cannot bear to live in. The Moon -especially the full moon – has always been a sign of evil and superstition to some extent, and it is this image that the card reflects. The Rider-Waite art shows the cruel face of the moon looking down through the sun at the world, eclipsing it and bringing night. The scene is almost dreamy, as two dogs bark wildly in confusion, as a lobster comes up from behind to hurt them. The Thoth art is very dark, and the two towers that appear in the Rider-Waite art are shown more prominently. Before the towers stand statues of Anubis, the God of the Underworld, associated with death. At the foot of each statue are jackals, snarling and and guarding the passage between the two towers. In the background, the moon is eclipsing the sun, and bringing with it darkness and ill portents.
The Moon, then, is a card of darkness. It represents illusion and fear, as well as confusion and despair. This card is the card representing you when you are lost in the dark, alone, lost, afraid, and helpless. The eclipse brings with it a sense of hopelessness and foreboding. It is the dark energies of the moon that bring madness and insanity to mankind, and cause him to be prejudiced against his brothers. This card represents the darkness and evil in the world, but reminds us also that the darkness will end. The eclipse is only temporary, and the sun will rise again (seen in the Thoth art by the scarab carrying it) to push back the darkness. In this way, then, this card also provides a lantern light for the child lost in the woods, and the promise of winter’s end. But for winter to end, there must first be a winter.
On the Tree of Life, the Moon lies between Netzach (Bliss) and Malkuth (Reality). The Moon, then, represents what happens when one tries to find happiness and bliss in the real world, and find that it does not live up to their expectations; the world is full of darkness, and this dark side does rear its head. Reality is not perfect, and the Moon represents these imperfections; the things lurking in the shadows and hiding in your closet. It represents what could have been in the world, but wasn’t. It symbolizes what came in and filled those gaps.
In a reading, this card asks you to examine the role of darkness in your life. It reminds you that hard times will end eventually, but also asks you if you’re afraid and lost. Perhaps something new has happened to you and you don’t know what to do? Perhaps you feel as if you’re going mad? Perhaps you are despairing, or seeing something that is not quite real? This is the card of dark fantasy, so perhaps you feel as if you are living a cruel joke? Reversed, this card’s energies are twisted or hidden somehow – perhaps the illusions are real, or the light of the coming sun is false – or perhaps it is not you who is mad, but everyone else.
The Star
XVII – Tzaddi – Aquarius – Faithful
Guiding Light, Eternal Renewal, Serenity, and Hope
The Star corresponds to the Hebrew letter Tzaddi, roughly meaning those who are faithful to God. Tzaddi’s literal meaning is that of capturing – such as the light of the Lord captures the hearts of mankind. The shape of the original pictograph is that of a man bent down in humility, who has yet been crowned (in the more recent book-script) – the symbol of the attitude and rewards of the faithful. The letter Tzaddi also is associated by some kabbalists with the mate of the letter Aleph, which in the Tarot pertains to the Fool – implying that the Fool is trusting in the Star’s guiding light.
The Star represents the calm after the storm; the faithful (Tzaddik) have passed through the terrors of the Tower and survived, and are rewarded with a vision of peace and serenity. Astrologically, the Star is equivalent to Aquarius, which is one of the Stable Sun Signs, signifying security after growth. Aquarius is also the sign of creativity and originality, which come as a result of being able to apply what you’ve learned to reality through the granting of peace and quiet.
The images on the card illustrations evoke a sense of calm and serenity; both of them feature a woman pouring water out of two cups – one in each hand – into a pool of water (a sea in the case of the Thoth art) before them. The pool of water is still, save for the water running into it from the cups. Stars dot the background of both cards, with one large, yellow star in the background of the Rider-Waite card, and a planet dominating the background of the Thoth card. The Thoth card’s colors are a blue hue, associating it with calmness and passivity.
The idea of flowing permeates the Star. The cups of water seen in the illustration – which in the Thoth art at least appear to be bottomless – represent the transfer of energy, specifically from the realm of the spirit (the upper cup to the planet) to the mortal realm (the lower cup to the sea). This energy can be any kind you can think of; creative, spiritual, emotional, and even physical. The most potent energy this card refers to, though, is that of life; the Star represents the heavens pouring life down onto the Earth. This life that flows from the heavens is infinite, and so this card symbolizes eternal renewal, as well. This is a very Taoist card, like the Hanged Man, urging you to go with the flow. It represents calm, peace, and serenity. It asks you to step back and take a break – and as you rest, a new source of inspiration (like the muse of an artist) will come to you, a sort of guiding light – like the north star is. It asks you to trust in your inner spirit – the same inner guide that Tarot readers rely on to read the cards. The Star advises you to listen to your instincts, and not to let yourself get too worked up about something. Just let it happen; if you have faith, then everything will turn out alright. It provides a sense of hope for all who heed its call, and reminds us that there is always a solution to all of our problems.
On the Tree of Life, the Star sits between Netzach (Bliss) and Yesod (Essence of Being), representing the guiding light achieved through experience helping one to discover who they truly are, channeling the energies of blissfulness in order to help you become all that you can be.
In a reading, the Star encourages you to take things slowly, and to rest after a large disturbance. It asks you to examine the role that the calm after the storm has had in your life, and recommends that you follow your instincts and go with the flow. It advises you to be calm about everything, and to have faith that everything will be alright in the end. Reversed, this card’s energies are hidden or twisted somehow; perhaps your guiding light is leading you astray, and you should watch its advice more carefully, or perhaps the calm is only on the surface…
The Tower
XVI – Pei – Mars – Mouth
Ruin, Destruction, Crushing of the Old, and Momentous Change
The Tower corresponds to the Hebrew Letter Pei, representing the breath of God and the power of words. The previous letter, Ayin, represented the eye – understanding – and Pei represents the mouth, which is verbal expression. This order indicates that it is necessary to understand and think before one speaks. While the eye allows one to understand, the mouth allows one to speak and bring things into being. When one speak’s of the Devil’s will, ruin is sure to follow. This letter also represents speech and words, and the power that they can hold; words can topple a nation or bring it up high. The original pictograph of Pei is also a mouth, emphasizing the idea of the power of words to bring things into being – or remove them from being.
The astrological equivalent of the Tower is a planet not known for its words – Mars, the god of war. Mars represents male power and virility, as well as action, violence, war, drive, energy, and ambition. These are all things that, in the context of the Tower, are accomplished through the power of words. The Tower itself is a card of ruin and toppling, and represents the wrath of Mars as seen from the side of the victims – for inherent in the idea of Mars is that of competition, and in a competition there is always a winner and a loser.
The Tower, then, represents momentous changes brought on by powerful forces that topple empires and overthrow dynasties. This is a card that represents a change in the order of things – the crushing of the old to make way for the new. The Tower is often called the Lord of the Aeon, for this is a card that initiates the changing of the Aeons, which inevitably is accompanied with strife and the toppling of the existing order. World War I is a prime example of the Tower in action; it occurred ten years after the Aeon of Horus began in 1904, toppled the existing order of Europe – and therefore of much of the world – and was fueled on by propaganda and words. The Tower is also a card of ruin and downfall, as well as destruction. Drastic upheaval is what the Tower represents, as well as the failure of endurance. The Tower can also represent breaking free of one’s imprisonment (such as that you were put into by the Devil) do to a calamitous or huge event; the clearing of the old is necessary to make way for the new, and so the prisons of the old order must be torn asunder.
The Rider-Waite art emphasizes the aspect of downfall and the failure of endurance, as the proud, strong, tower is brought down in a single cataclysmic event – the lightning bolt. It topples the crown (symbolizing power and the Aeon), overthrowing the old order, and sends people literally falling to the ground. Chaos reigns as the tower – the bastion of strength – fails and falls to disaster. The Thoth art shows a tower literally toppling, while emblems of fire surround it. Above it all is the eye of Horus, symbolizing the new Aeon (and the preceding eye of Ayin), emanating rays of power as it establishes its domain. In the lower portion of the card is a mouth, breathing out fire – the breath of God and the power of words that topples the tower.
On the Tree of Life, The Tower stands between the Sefirot of Netzach (Bliss and Degenerate Weakness) and Hod (Knowledge and Intellectual Weakness). It is the path between the two weaknesses, emphasizing the idea of the weaknesses that bring down the stability of Tiphareth – the Tower is what happens when both weaknesses appear at the same time, leading to ruin and downfall.
In a reading, this card asks you to examine the role of upheaval in your life. Has something previously rock solid in your life suddenly been toppled, making way for the new? Have you – or anyone you know – been ruined? Have your words hurt more than you would have thought? Reversed, this card’s energies are hidden or twisted somehow; perhaps the toppling was only superficial, and nothing has really changed…
The Devil
XV – Ayin – Capricorn – Eye
Rebellion, Freedom, Ignorance, and Imprisonment
The Devil corresponds to the Hebrew letter Ayin, which means eye (and its original pictograph also bears this shape). The eye referred to here is the eye that allows one to see the light of God, and also to understand it and obey it. The letter Ayin, then, refers to one’s ability to see the divinity in everything and do what must be done. However, keep in mind that divinity and the “right” thing to do can be seen as being relative – and so there are many ways in which one can see the world (leading to the almost contradictory meanings of the Devil). The other eyes this card can represent are the eyes looking for the guidance of God – and sometimes they find it, and sometimes they don’t, and instead fall prey to the Devil. This letter can also represent the watchful eye of God, and the watchful eye of a shepherd over his flock. This eye looks downwards (towards the realm of the Devil), in an attempt to care for others – or in what they perceive as an attempt to care for others.
The Devil represents this eye that we all have, and what can happen should the eye fall upon the wrong object and mistaken discern the Devil as having divinity. When you fall into the Devil’s trap, you suddenly become chained to him, and imprisoned within hell. The Devil is for the most part a dark card, representing this imprisonment and sense of being tied down. He blinds you, causing you to live in ignorance, inhibiting the ability of your eye to discern the truth of things.
This card is a very Earthy card, as the Devil seduces you with the material, turning your eye away from the spiritual. This is the card of rejoicing in the things you have in the material world, and of the ability to manipulate the material world to your will, and to create things in it. The Devil is roughly analogous to the Greek God Pan, lord of the wilderness; the Devil is the Lord of Earth and wildness, and the patron of wanton creation; he creates for the sake of creating, seduces for the sake of seducing, and blinds you for the sake of blinding you. He lives in the present, and it is this constant focus on the present that blinds and seduces people into his chains.
Astrologically, the Devil is analogous to the Sun Sign of Capricorn, signifying order and accomplishment, as well as initiating actions (such as wanton creation). Specifically, the Devil corresponds to material order and material accomplishment; the completion of great Works and the will of the Emperor imposed on those below. The Devil – and Capricorn – can also be opportunistic, taking advantage of others for one’s own gain; this then is also a card of selfishness.
However, at the same time, this is a card of freedom. It is the second half of the heavenly dichotomy of heaven and hell; and just as the Devil and hell restrict you and chain you, so do the rules laid down by heaven. One can argue that the laws of heaven are good and will make you happier in the end, but the point still stands that there are laws and rules and regulations. The Devil represents freedom from all of these things, and also rebellion; Lucifer revolted against heaven, did he not? This card represents resisting authority, and something breaking the chains holding one down; in this way, the Devil can mean either being blinded to the truth and so in a prison of your own making, or breaking free of oppression to create a new future for yourself. It all depends on one’s perspective.
A way to synthesize all of this is the idea of a dynastic cycle: the old, oppressive dynasty spawns rebels, who rise up and topple the existing order – or secede from it – and then as they themselves grow in power, they become the oppressors, and eventually are toppled as well.
The spiraling horns of the Devil also symbolize an idea of universal energy that pervades all things – particularly the material. The horns mentioned above are seen on the Thoth card, which also prominently features the eye in the center of the Devil’s forehead, encouraging the reader to see with eyes unclouded by bias, and to see things – like Lucifer’s fall – in a new light. The Thoth devil closely resembles the Greek Pan, emphasizing the idea of a wanton creator, and a progenitor of sorts, having children just because he can and likes to. Below him are two groups of people who appear imprisoned by him on his whims, representing the idea of ignorance and chains. The Devil himself looks smug – but is he really the villain? This card asks you to think and decide for yourself.
The Rider-Waite art is much less ambiguous, as the Devil there is clearly malign, and has a male and a female imp chained below him. The Rider-Waite art strongly represents the idea of imprisonment and chains.
On the Tree of Life, the Devil lies between the Sefirot of Tiphareth (Balance) and Hod (Knowledge and Intellectual Weakness), representing the fall from balance that comes when one’s eye is blinded and fed knowledge that changes their perception of the world, leading to a weakness of the mind and a step taken off the beaten path – into the realm of the Devil.
In a reading, this card asks you to perhaps look at things from another perspective, and asks you to examine the roles that imprisonment and freedom might play in your life. Are you imprisoned? Have you thrown off the shackles of oppression lately? Have you been blinded by something, and remain ignorant of something? Have you been living in the present for a long time? Reversed, this card’s energies are hidden or twisted somehow; perhaps those things you’ve been creating with abandon actually will become useful soon, or your prison is weaker than it appears.
Art
XIV – Samech – Sagittarius – Support
Moderation, Inner Balance, Completion, and Growth
Art (Temperance in the Rider-Waite tradition) corresponds to the Hebrew Letter Samech, which symbolizes the support that God gives to everyone in order that they may live to their fullest, if they so choose. Samech represents the inspiration from God that gives us the ability to reason and to make art. The letter Samech is a circle, symbolizing the idea that all thinks come to an end, and then a new beginning will start – what difference is there between a beginning and an end? In this way, the ouroboros and infinity come into play through this letter, representing the divine truth and whole of God. This letter represents the rightness of the universe, and some of the forces seen in the card Adjustment make themselves known in this card as well, but on less abstract terms; Samech represents helping those in need, who have fallen, and welfare. The original pictograph of Samech is a shield, symbolizing the protectiveness and support of the letter.
Astrologically, Art is represented by the Sun Sign of Sagittarius, representing exploration, wisdom, and adapting to learning. The card of Art, then, represents wisdom (that attained by realization of the infinite nature of God) and kindness. One of the first things a truly wise man will learn is that too much or little of something can be disastrous. In the Rider-Waite tradition, this idea of moderation comes to the forefront, as the card is called Temperance. The card shows an angel, one foot in and one foot out of the water, pouring liquid in between two vessels, balancing it out. The idea of balance then comes into play, but on a different level than seen in Adjustment; this is not the divine balance of the universe, but rather the need to have a stable equilibrium in one’s own being and existence. The Thoth art shows a two-headed figure – representing two parts of a personality in balance (reinforced by the lion and eagle) – mixing an alchemical brew. Alchemy is the perfect example of the kind of personal balance this card alludes to, and also has an element of crafting something, and of art – the very name of the card!
This card, then, represents inner balance, moderation, and temperance. It also represents two (or more) things coming to their fullest selves in the company of one another – the completed lovers, and the consummated marriage (think of the circle). The card also shows two women, and so represents the fertility and potential for growth of any individual, as well as wisdom and art. This is the card of small-scale equilibrium and homeostasis; it represents creativity and the ability to adjust one’s own destiny. One having balance within oneself allows one to have harmony with others. The alchemical element of this card alludes to the ability to dissolve and combine things to make them something greater, so that 1+1=3.
On the Tree of Life, this card lies between the Sefirot of Tiphareth (Conscious Harmony) and Yesod (Essence of Being and Crystallization). Essentially, Art is the card that allows one to apply conscious harmony and balance to achieve one’s greatest essence of being.
In a reading, this card asks you to examine the role of self-regulation and inner balance in your life. It asks you to think about your relationship to the rest of the world, and to those you care about most. Is your life full? Are your relationships full? Reversed, this card’s energies are hidden or twisted somehow; perhaps your moderation is only on the surface, or is a temporary thing, or perhaps your harmony is false…
Death
XIII – Nun – Scorpio – Fish
Inexorable Forces, Rebirth, Imperfection, and Transition
Death corresponds to the Hebrew letter Nun, which means fish. Fish (Nun) swim in the water (Mem), and so one of the things the Hanged Man comes to terms with and learns about is Death. The fish is also the symbol of resurrection and of Christ himself. Taking this metaphor further, this letter then also represents the state of the world once it has been fixed by Christ; it represents the way things should be – and Death is a part of existence just as much as life is. This letter also represents the wisdom that comes from accepting the knowledge gained from swimming in its sea, and a lack of self-consciousness. As fish live under the water, this letter represents the hidden life in unexpected places; beneath the surface.
Astrologically, Death corresponds to the Sun Sign of Scorpio, which itself symbolizes the cycle of life and death; a very fitting symbol, for the card Death does not just symbolize Death, but also implies by its existence the existence also of life. Scorpio is the Sign of transformation and change, and so too is Death the card of transformation and change. Death rarely, if ever, signifies physical death, and instead usually means metaphorical deaths. This card also reminds us to not look at death as purely an ending, but also a beginning; for rarely do endings not have a new beginning that follows them. The Fool, however, emphasizes beginnings, while Death emphasizes endings – though both phases are implied by both cards.
Death is a force in all of our lives, and so like Fortune, this card represents powerful, inexorable forces in our life. These forces change us greatly, and also transform us – and transformation is the key to this card. Death is not just the ending of life – it is the beginning of what comes after life. Death represents endings, yes, but also rebirth, and moments of transition. Transition and transformation are the key aspects of this card.
On the Tree of Life, Death lies between the Sefirot of Tiphareth (Conscious Harmony) and Netzach (Bliss and Degenerate Weakness). This position places Death as being the destroyer of perfection (he already has destroyed the Hanged Man’s perfection, as he is twelve – the number of signs in the Zodiac), taking the balance of Tiphareth and weakening it. It is the force of Death that prevents Tiphareth’s balance from becoming stagnant, and it is through Death – and the fear of it – that sin arises. Death represents the movement stirred on by powerful forces, and the imperfection that is a part of existence.
The inexorability of Death is seen in the Rider-Waite art, as he rides his horse steadily forward, ignoring the pleas made by those around him, killing them anyway. He is a menacing figure, towering over those before him. In the distance, the sun rises, hinting at a new birth. In the Thoth art, Death appears to be locked in a dance, surrounded by lost souls. A scorpion appears by him, symbolizing transformation (through Scorpio), and also a fish, symbolizing rebirth and resurrection. An eagle also flies above his head, signifying the last part of the cycle of life and death (rebirth, change, and realization – this is my own personal take on it) – the realization of one’s new life.
In a reading, this card never (or at least, almost never) means actual, physical death. Rather, it asks you to examine transition or transformative stages in your life, and eras that might be ending. It asks you consider giving yourself a chance to be reborn, to examine imperfections in your life, and warns you of powerful forces out of your control headed your way. Reversed, this card’s energies are hidden or twisted somehow; perhaps one’s transformation is only on the surface, or the forces coming for you can be controlled.
The Hanged Man
XII – Mem – Water – Waters
Paradox, Suspension, the Wisdom of Patience, and Stillness
The Hanged Man corresponds to the Hebrew letter Mem, signifying waters and knowledge from the Tanakh and Torah. It represents the ocean of knowledge about God and the world. This ocean contains not only secret knowledge, but also knowledge available for everyone to see. This letter also represents the idea of knowledge coming to someone, as opposed to him (or her) actively seeking it out. The letter Mem represents the wisdom that comes through experience, patience, and waiting. It symbolizes the dependence of all life upon water, and so also the dependence of every living being on the love of fellow beings and of God. As water is present in our very body, this letter also represents the entirety of one’s being, and the meditation and contemplation that can bring one wisdom. The original pictograph of this card means water, and depicts ocean waves. The letter Mem also has a second connotation: the coming of the messiah. This theme is evident in both the Thoth and Rider-Waite illustrations of the Hanged Man, which show a man hanging upside down in a way that brings to mind a crucifixion. This is also seen in one of the meanings of the card: the idea of waiting patiently for knowledge to come to you (or salvation), and the idea of sacrifice becoming salvation.
The Hanged Man is associated with the element of water (Mem even means waters), which represent passivity, emotion, and intimacy. The aspect of water reflected most strongly by the Hanged Man is that of passivity; this is the most passive card in the deck. The hanged man is not a martyr, contrary to what many believe; far from it. He seeks his own salvation, and to discern how to best do this, he has stopped doing everything and is waiting for the answer to come to him. He is not hanging or being crucified; he is merely paused, waiting. This card does not represent matryrdom in any significant way; that meaning belongs to Oppression and Ruin. However, sacrifice is a theme in this card, but to make things more complicated, a paradox is thrown in; the Hanged Man represents sacrifice that allows you to be saved. He is the dying god, who rules the realm of paradoxes. He represents stillness and the wisdom that comes from patience.
He also represents accepting one’s fate and the inevitable, and letting them wash over oneself. He represents the idea of losing to win, and of suspension. He represents taking a break from the stresses of life in order to turnabout and set off in a new – or the same – direction. Both cards show a man hanging upside down, with one leg bent at an angle, suspended from something. In the Rider-Waite art, he is suspended from a tree, and has a halo about his head, hinting of the divine knowledge he gains through his patience. The Thoth art shows the man suspended from an Ankh, symbolizing eternal life, and his hands are nailed down, hinting at the idea of a messiah. He also has snakes about his heads and feet, representing danger and temptation ignored. If you turn the two cards upside-down, instead of a hanging man we see a dancing man – he has sacrificed what he had in order to gain a new perspective – something else that this card represents: new perspectives gained from slowing down everything in your life, stepping back, and taking a deep breath.
On the Tree of Life, the Hanged Man is the path between the Sefirot of Geburah (Instability) and Hod (Knowledge). This represents the knowledge that comes out of instability; the Hanged Man steps back from the instability and chaos of his life, giving up all that he has, in order to attain wisdom and knowledge.
In a reading, this card asks you to examine the role of stillness and passivity in your life. It advises you to step back and take a break, letting life wash over you. Accept your fate; some things are inevitable. What new perspectives will you gain from doing so? It also asks you to see if there is a messianic-like figure in your life, who has given up everything in order to become someone far greater. Reversed, this card’s energies can be twisted and blocked, but not necessarily. This card (for me in my own readings, at least) can be read the same both reversed and upright, for he represents multiple perspectives. However, reversed, this card can be read as an inability to rest and contemplate one’s life, or as an anti-messiah figure in your life. It could also be seen as an inability to accept one’s fate passively.
Lust
XI – Lamed – Leo – Goad
Inner Mastery, Divine Drunkenness, Union of Man and Woman, and Ecstasy
Lust (Strength in the Rider-Waite tradition, in which it is also numbered VIII) corresponds to the Hebrew Letter Lamed, the symbol of learning and teaching. Its pictographic symbol is that of a goad, or shepherd’s staff, which was used to keep the flock in line and teach them how to properly behave. The letter Lamed represents this teaching, particularly being taught how to control one’s animal instincts. It also symbolizes the union of man and woman; especially man’s intellectual knowledge with woman’s heart and emotional instinct, resulting in completeness. It represents taming one’s inner beast, and the inner mastery that comes from it (the Rider-Waite art depicts this idea of inner mastery and taming the beast very well, literally showing a woman taming a lion, exerting soft control over it).
This idea of union is central to this card, in its representation as sex – the divine union between man and woman (it is important to keep in mind that this card represents the physical, unformalized union of man and woman, not the formalized union seen in the Lovers). Along with the idea of sex is the idea of ecstasy, passion, and abandon; what can be called the “divine drunkenness,” like the wild revelries of Dionysus and Bacchus. In this regard, this card represents also a lack of self-control, and the joy that comes when one exercises one’s will or power. This card also symbolizes the idea of acceptance of one’s weaknesses and coming to terms with them.
But, as the letter Lamed’s secrets state, this card is not just about lust itself, but also about controlling that lust; the coin has two sides. This card then also can represent strength, soft control (controlling through kind and gentle force and caring), and inner mastery. On the Tree of Life, this card is the path between Chesed and Geburah – between stability and instability. This card, then, represents the constant motion (yes, there is an innuendo here) associated with lust, as stability becomes instability, and back again. It represents controlling one’s instability in order to make it stable. If the energy is flowing towards Chesed, then one’s lust has been mastered. If flowing towards Geburah, the instability of one’s inner animal is becoming dominant. This card can go either way.
Astrologically, this card is the Sun Sign of the animal dominating both forms of the card; Leo the lion. It is an interpersonal sign, representing the interactions between others, and it is also a sign of love and pride; the love that leads to union and sex, and the pride that leads to using one’s power, and that pride that comes with inner mastery.
The Thoth art combines all of these ideas, showing a woman in the process of taming her inner beast, in the form of a lion-like figure, while she herself looks to be in ecstasy, possibly also engaging in an act of sex with said lion. This art represents the delicate balance between one’s inner animal and one’s ability to control the beast.
In a reading, this card asks you to examine the role of the baser, animal instincts in your life; do you have them under control? Do you not have them under control? Have you been giving into your inner hedonist lately? Reversed, this card’s energies are hidden, blocked, or twisted somehow; perhaps your inner beast is concealed but not controlled, or you do not control it but merely direct it.
Fortune
X – Kaph – Jupiter – Palm
Powerful Forces, Sudden Change, Unity of Existence, and Chance
Fortune (the Wheel of Fortune in the Rider-Waite tradition) corresponds to the Hebrew letter Kaph, representing the ability to realize and actualize potential, and the powerful forces that can help. Its original pictographic meaning was that of a palm, or what could be contained in a palm. The palm represents holding something, and sometimes caring for it, and helping it to actualize its potential. The palm of the letter Kaph is the palm of God’s hand, which holds all of the potential in the universe, and allows anyone to become anything. And what else is the potential of everything, and the divine guidance of God but Fortune?
This card represents the inscrutable will of God, which appears to mortals who cannot comprehend it in its entirety as the whims of Fortune. This card symbolizes powerful, inexorable forces beyond the control of any one person; the powers of war, love, death, change, catastrophe, and blessing. Fortune takes the form of a wheel in both the Thoth and Rider-Waite, each one with eight spokes or divided into eight parts. Three animals surround each wheel, representing the three major alchemical elements (salt, mercury, and sulfur), and therefore completion. The Thoth art also shows a triangle in the background, with spirals coming out of its center, indicating power and infinity – the infinite power of God’s will. The wheel turns, and different parts of it rise to the top – different spokes and different animals. The wheel represents what mortals see of Fortune, and it is an apt metaphor, for the wheel is always turning. This card, then, symbolizes reversals of fortune, vast, sudden change, and the cycles of creation and destruction.
Astrologically, this card is associated with Jupiter; ruler of the Gods, the bringer of fortune and abundance, and the quest for knowledge and truth. He expands outwards in all directions, encompassing everything; his will is the will of God, and it is Jupiter’s whims that bring good fortune to others. This card represents chance, luck, and also unity and the universe, as well as power. As the wheel turns, so it represents also fluidity, motion, and the unity that comes with motion. On the Tree of Life, this card is seen as the path between Chesed (Stability) and Netzach (Bliss/Degenerate Weakness), representing this card’s role as the bringer of chance, disrupting stability by inserting weakness. The card’s astrological equivalent, Jupiter, also can represent the idea of having too much; the definition in many ways of degenerativity and excess (like that of Netzach).
In a reading, this card asks you to examine the roles of powerful, inexorable forces in your life, as well as sudden, unexpected change and the reality of chance and fortune. It asks you to remember that things are always changing, and reminds you of the unity of everything in existence. Reversed, this card’s energies are hidden or twisted somehow; it is important to keep in mind that reversed, this card does not mean misfortune; this card is completely neutral. So then, reversed, this card indicates exorable forces and minor examples of chance, and could also indicate weighted chances or unity being blocked. What divides you for others? What separates you from the rest of existence?
The Hermit
IX – Yod – Virgo – Hand
Withdrawal, Contemplation, Self-Discovery/Identity, and Wisdom
The Hermit is associated with the Hebrew letter of Yod, smallest of the Hebrew alphabet. The letter Yod is associated with humility, being the smallest of the letters (and most prevalent in the Tanakh), and also bearing the appearance of a man in prayer. Yod also is the building block of the alphabet, and all other letters are derived from and build upon it (its value in Gematria is ten, which is the basis of the modern numerical system). The letter itself makes a symbolic appearance in the art of the Thoth card, in the egg (surrounded by the serpent) that the Hermit watches over; he nurses the potential and beginning of the world so that it can grow. Its original pictographic meaning was hand, or thrusting, indicating empathy and the work of God in his creation. The Hermit is a guide, helping others to find themselves, understanding much of God’s creation himself. In both cards, he carries a lantern, symbolizing the beginnings of understanding in the darkness, for he himself does not know everything; he symbolizes the idea that no one is ever done learning, and that everyone is always a student of the world. He is also alone in both cards, giving him a focus on finding oneself in relation to themselves.
The Hermit then represents both student and teacher. He is both a guide and the guided; he has withdrawn from society in order to look deep into himself and discover who he really is. This card represents introspection and the quest for self-discovery, as well as isolation and serenity. The Hermit represents also watching over something; the Hermit is a father and a creator, watching over the seed of life. He makes an appearance in the Thoth art of the Lovers, blessing the marriage as both an angel (the Rider-Waite equivalent of the Hermit’s cameo in the Lovers is an angel) and a father, watching over the potential of the new union – which is a seed in his own card. He is bearded and old, representing the typical wise old man and therefore wisdom. He seeks a sense of his own identity, and so has withdrawn from society in order to explore himself.
The Hermit is a card of isolation and of a connection to nature, as well as a quest for understanding. It is a card of contemplation, and also if the discovery of secrets; the Hermit is a mystic seeking to fully understand the world that he is in, and what he himself is. He represnts the hand of God, watching Creation and waiting by itself in the darkness, itself the sole source of illumination. The Hermit also is a representative of the feminine Earth, and is in many ways analogous to the Princess of Disks; he is guarding the potential of life, and helping it to give birth and realize its potential.
The Hermit’s astrological equivalent is Virgo, representing the idea of rational analysis and clarity. The Hermit is on a quest to discover and achieve clarity in his own life through withdrawal and self-analysis. Virgo is also a Sun Sign representing an ability to learn; in this case, an ability to learn through logical analysis about oneself. On the Tree of Life, the Hermit is the path between Tiphareth and Chesed, representing the application of the Hermit’s balance and wisdom/experience (Tiphareth) to bring stability to his life (Chesed) – or his withdrawal to seek stability in order to become balanced and gain experience about himself.
In a reading, this card asks you to examine the role of isolation and self-discovery in your life. Do you know who you really are? Are you sure of yourself? Perhaps you should step back into yourself for a little bit in order to regain your balance or stability? Do you know any mystical people who keep to themselves but have the ability to impart wise words upon those who will listen? Reversed, this card’s energies are hidden or twisted somehow; perhaps your isolation is only apparent, or your sense of identity is not truly what you are.
Adjustment
VIII – Tet – Libra – Snake
Objectivity of the Universe, Diplomacy, Balance, and Karma
Adjustment (Justice in the Rider-Waite tradition, which also numbers the card as XI) corresponds to the Hebrew Letter of Tet, which represents the benevolent potential of pregnancy and God’s presence everywhere through EinSof. The letter Tet also represents the ability to judge things properly (a key component of the card of Adjustment/Justice), and means in Hebrew either snake or bed. As a bed, this letter represents the union of man and woman through sex before God, and therefore the woman satisfied, another key part of Adjustment. Adjustment is the dance of the woman in which she revels in God’s glory, and her dance with another human satisfies her completely. As a snake, this letter represents temptation and the ability to resist it. It also reminds us that God is present everywhere, even in the snake; remember Moses’ staff. The pictograph of this letter resembles a snake in a basket, reminding us that we can keep our temptations under control, and must maintain balance.
Balance is the key to this card, who astrological equivalent is Libra, the scales. It is the Sun Sign representing interpersonal relationships in an abstract sense; essentially, the art of diplomacy. Adjustment has this connotation as well, and its airy qualities go even further,as Adjustment is associated with the idea of karma, and represents the order of the universe as seen through action and reaction. The Emperor represents order through structure, imposed from above, while this card represents the universe’s natural tendency to compensate for extreme actions; balancing good with bad, and light with dark. This card then, represents also the impassive objectivity of the universe, and its utmost honesty. It also symbolizes righteousness and the dance of the universe. Going back to Jewish mysticism, this card represents God’s presence everywhere (hence the righteousness), and then also of the prevalence of love everywhere; love is law.
The Rider-Waite art shows a figure upon a throne wielding the sword of Justice and the scales of balance, exuding impartiality and balance. The Thoth art also contains a large scale, with a masked woman (an impartial one, as her face is not able to be seen) standing between the two sides of it, also bearing the sword of justice, but held downward instead of upward. Her image is nearly symmetrical, with only the colors of some of the spheres surrounding her changing, indicating the constant adjustment to keep the universe balanced, similar in some ways to the idea of Two of Disks (though Art also has this meaning).
On the tree of life, Adjustment is the connection between the Sefirot of Geburah (Destabilizing Motion) and Tiphareth (Balance and Conscious Harmony; Experience). This is an extremely appropriate positioning, as this card represents in many ways managed motion (constant adjustment) to bring about balance and harmony to the universe (to Tiphareth).
In a reading, this card asks you to examine the role of diplomacy, balance, and impartiality and objectivity in one’s life. It asks you to examine ideals of justice and honesty in your life, and also warns you to watch out for the consequences of your actions, as it reminds you that every action has an equal and opposite reaction. Reversed, this card’s energies are blocked or twisted somehow; perhaps balance cannot be achieved do to the structure of the world, or you just can’t notice the balancing effect. Perhaps one’s diplomacy is not up to snuff, or someone you think is impartial isn’t in reality – or maybe a woman you know isn’t satisfied; maybe yourself.
The Chariot
VII – Chet – Cancer – Life
Conquest, Salvation, Progress, and Vitality
The Chariot corresponds to the Hebrew letter of Chet, the Hebrew letter of life. It represents both the life of God and the life of God reflected in the human soul; that light which fills one with energy and vigor. Chet is the pulsating hearbeat. Its form is also that of the letters Vav and Zayin joined, representing spending time in a community or the light of God as reflected in others. Since both Vav and Zayin also represent various forms of light, the letter Chet also can be said to represent light in its entirety. The Chariot as a reflection of this, then, exuding vitality and glorious light. This is the card of Caesar the Conqueror, and similarly to him, also represents moving forward (like the wheels of a chariot). The pictograph of Chet resembles a wall or fence, indicating a strength and fierce desire to defend (the Chariot’s wards).
The card of the Chariot, then, is filled with vitality and energy, shining with light. He is the savior and the conqueror, sweeping away the old and corrupt and replacing it with the new and progressive. He is an agent of fate, sweeping across the land to bring (hopefully) positive change to the world. The Chariot is also very strong-willed and focused, obsessed with conquering and dominating everything that stands in his way. He is a hero, helping others through his glorious feats, and bringing life and energy to the world. He carries the future in his arms (see the Thoth art), and himself has a sort of divine balance and is blessed by the Gods (see the sphinxes before the Chariot in the both illustrations); this card is also the card of Herakles. Both the Rider-Waite and Thoth cards show a confident, assured, armoured man in a chariot, moving forward inexorably on its wheels, yet pausing for a moment to look over their conquests. Their wheels represent the constant movement of time and fate, and the certain changes and progress that will come with time. The Chariot represents also hard control; using force to dominate others.
The Chariot’s astrological equivalent is, strangely enough, Cancer (as seen on the head of the man in the Thoth art); the symbol of caring and nourishment. This association reminds us that the Chariot’s will and domination is not one-dimensional; the Chariot’s conquest is not for personal gain, but rather because it truly believes that it can help protect and care for others (look at Caesar’s relation to his troops). Cancer still, however, represents a focus on the personal aspects of one’s life, and so the Chariot’s conquest might just be to comfort itself; the people might not really need its guidance, but the Chariot itself thinks that they do.
In the Tree of Life, the Chariot is the path between the Sefirot of Binah and Chesed. He represents the understanding and duality of existence (Binah) causing destabilizing motion (Geburah). This motion, however, is controlled by the strong will of the Chariot, as he conquers in order to reshape and recreate the world to help progress society and help the people. He understands exactly what it is he’s doing, and so has no problem with toppling stability and replacing it with understanding and giving it new potential.
In a reading, the Chariot asks you to examine the role of dominating relationships in your life, as well as progress. Have you conquered some new skill? Have you made a large acquisition? Are you at the top of your game? How do you use your energy? Have you faced down others in order to help those you care about? Reversed, this card’s energies are twisted or blocked somehow; perhaps their is conquest without progress, or progress without conquest. Are you really doing what’s best for those you represent?
The Lovers
VI – Zayin – Gemini – Sword
Love, Union, Marriage, and Potential
The Lovers corresponds to the Hebrew Letter Zayin, which resembles a crowned Vav. This symbolizes the light of God (which came from Vav) returning back to heaven. While the Hierophant brings the light from God down, the Lovers reflect that light back up, making use of the Hierophant’s wisdom. The two-part nature of the letter Zayin (the Vav and Crown) represent the human spirit coming into fulfillment, using the light to make themselves better – through love. The letter also represents the woman fulfilling God’s creation by consummating man; the old definition of a “valorous” woman. Since, in the sequence of Hebrew Letters, the initial Creation (Man) has already been mentioned, the crowning of man is the addition of woman to stand by his side (I would like to point out here that I do not in the slightest believe in this inequality of man and woman; I am merely reflecting the original meanings of the letter Zayin). So then, this letter symbolizes the union of man and woman, and their ability to hold the divine light of God. This idea is best expressed by a line from Les Miserables: “To love another person is to see the face of god.”
The original pictograph of the letter Zayin symbolizes a sword, and the meaning of the word Zayin also reflects this. However, the word Zayin is derived from an older world meaning something akin to sustenance, and so is slightly paradoxical. This letter, then, represents the impossible: the light of God being improved by its association with mankind. The sword also is used to help sustain people, and to protect them from harm. This duality of sustaining and defense make up much of the relationship between two lovers, as each partner will defend and nourish the other.
Gemini is the astrological equivalent of the Lovers. Oddly, Gemini is one of the Sun Signs associated with Air, and Gemini specifically the realm of the rational intellectual. The Sign of Gemini also indicates a desire to make social connections – such as that of lovers. Gemini is also one of the mutable signs, meaning that it adapts; and what is love but constant adaptation to another? The emphasis of this card is on personal fulfillment; each lover seeks to satisfy him or herself by satisfying the other. Gemini also corresponds to the twins Castor and Pollux, and to the idea of twins in general: such as Cain and Abel.
Another name for the Lovers is the Brothers, specifically Cain and Abel, who are seen in the Thoth art below the bride and groom, crossing their cup and sword. This card represents very close intimacy, not just romantic love. The story of Cain and Abel also reminds us that intimacy is not without its dangers, and that great jealousy can spring from the closest of connections. In terms of its connection with romantic love, this card represents the formal, institutionalized aspect of it for the most part: that of marriage. The Thoth art emphasizes this, with its portrayal of an elaborate ceremony between two royals, presided over by the Hermit (who in his own card watches over the seed of potential). The man and woman are of different races and houses, and so serve not only to unify themselves, but others as well, emphasizing ideas of unity. This is not to say that there is no love at all, because there is; Eros appears above the Hermit’s head, his arrow pointed down at the couple.
The Rider-Waite art is similar, but less ornate; a naked man and woman stand at opposite ends of the card, looking at one another with open arms, while an angel above (the Hermit in the Thoth art) blessing the union. This card emphasizes the emotional aspect of this card rather than the aspect of unity that the Thoth art does. There is a reminder in this card also of the dangers of love, in the Serpent of temptation behind the woman.
This card, then, represents love and union most obviously, as well as intimacy and marriage. It also symbolizes potential, sex, and ego. On the Tree of Life, the Lovers are the path between Binah (Understanding) and Tiphareth (Experience), representing the understanding of the nature of God’s light leading one into a harmonious central balance. Binah also represents duality and the feminine, and the addition of the female into the mix balances out man, and leads to happiness and experience: Tiphareth.
In a reading, this card asks you to examine the relationships in your life, as well as any feelings of love or intimacy you may have. How is your love life? What role has marriage or close companionship played in your life? Reversed, this card’s energies are hidden or twisted somehow; perhaps the marriage or union in your life was not a good one, or the love is not true.
The Hierophant
V – Vav – Taurus – Hook
Induction, Education, Search for Knowledge, and Connection
The Hierophant, the sixth Major Arcana, corresponds to the Hebre letter of Vav, symbolizing the line that God drew from the heavenly realms to the finite space that were to become the mortal realms. It represents the connection between the two realms, and the common threads that bind everything together. It represents the strength of the Pillar of Truth and the constant interaction between God and his creations. The letter is a connection. The original pictographic form of the letter is that of a tent-peg, which holds together the structure of the tend, and the word Vav means hook, again emphasizing holding things together.
The emphasis is very appropriate for the Hierophant, for he represents the bonds of the community that tie everyone together. He is responsible for the induction of others into society, and for the rituals that bind the community and make it one. He represents also the powerful force of formalized religion, such as the Catholic Church during the Middle Ages, with provided legitimacy, education, and unity. The Hierophant is also the gateway and key to acceptance; he is the spiritual leader who decides how a society should be, and controls all of the formalities, initiation, and education of others in the society.
He also serves as a teacher, but of a different nature than the prophesying Magus or the seer-like Priestess; he is the formalized schoolteacher who educates people in how to live their lives and how to properly behave. He also represents a scholar, on a quest to discover the Truth; he Illuminates what is unknown in his search for Knowledge, which he then uses to educate his society.
His astrological equivalent is the Sun Sign of Taurus, an Earthy sign concerned with manifestation and productivity. He maintains the balance of power by managing the formalities of the community; he is concerned with preserving and sustaining the status quo. He helps the individual realize their own place in the greater whole; he represents the individual’s understanding that they are only part of a larger picture.
The Hierophant’s Rider-Waite card shows him in his aspect as inductor of the uninitiated, performing a ceremony to allow two new members to be inducted into his order. Below him are a pair of crossed keys, symbolizing that he holds the keys to knowledge. In the Thoth art, he is seated similarly, and is surrounded by the images of the four animals, and holds the key of Knowledge in his left hand. His right hand beckons you closer, welcoming the reader into the ranks of the initiated, and giving a blessing and benediction.
In the Tree of Life, the Hierophant is the path between Chokmah (Original Harmony) and Chesed (Stability). Essentially, the Hierophant interprets the harmony of God (the light represented by the letter Vav) and brings it to his followers, allowing for the stability of Chesed to become manifest. He uses the light of God to make the world a better place.
In a reading, this card asks you to examine the role of formal education and teaching in your life, as well as what roles your community (and your acceptance into said community) have played. Reversed, this card’s energies are hidden or twisted somehow; perhaps your induction was just for show, or your education has been lacking.
The Emperor
IV – Hei – Aries – Identity
Virility, Order, Authority, and Continuity
The Emperor corresponds to the Hebrew letter of Hei in most traditions; Aleister Crowley disagrees and attributes the letter Tzaddi to the Emperor and changes the position of the Arcana on the Tree of Life, but I do not personally subscribe to this interpretation. The letter Hei symbolizes revelation and the giving of one’s identity; to me, this letter represents then the revelation of identity. The original pictograph of this letter shows a person with their hands on the air, hinting at the idea of fullness of the human spirit, a large part of which is identity and how this identity is expressed. The letter also represents God’s creative expression and his actions in ordering the universe. The Emperor himself is a bringer of justice, using his power to order the universe so that all get what they deserve, in a way paralleling the creative acts of God. The Emperor is also strong and confident, with a clear sense of identity that he expresses through his power and actions; he is the center of the universe.
Astrologically, the Emperor is Aries; he is active, takes the initiative, but at times can be impulsive. He is dedicated to providing order for those below him, and is stern in his countenance. He is focused on himself and expressing his own identity and power, and serves as a father-figure in contrast to the Empress’ mother-figure. While she, his consort, is fertile, the Emperor is virile and very masculine; even his astrological figure (Aries) is the husband of hers (Venus). The Emperor is the imposer of order; he is strong, intimidating, and just; he is the judge who makes the decisions necessary to keep things running. The Rider-Waite art clearly shows the Emperor in this countenance, sitting sternly upon his throne, surrounded by impenetrable mountains representing his indomitable will; he is the combination of Fire and Earth; he is the volcano. In his hand he holds an Ankh, symbolizing his stability, permanence, and continuation through the symbol of eternal life. The Thoth art for the Emperor similarly shows a stern-looking man, seated in a pose mirroring that of the Hanged Man, suggesting an Ankh as well. The Thoth Emperor is also surrounded by image’s of goat or ram heads (the Rider-Waite Emperor has some on his throne), emphasizing virility and activity. This is further reinforced by the red hue over the card.
The Emperor represents order and structure, and justice that is achieved through the authority of the law. The figure of the Emperor himself is a ruler who has just consolidated his empire, concerned with establishing himself and his progeny through strong laws and order. He represents the strong order of one newly come into power, and the subsequent continuation of this power. He represents authority and security, as well as personal freedom and virility for himself; he is a benevolent dictator. He can often be ruthless and tyrannical, but he is also efficient and just.
On the Tree of Life, the Emperor is the path between the Sefirot of Chokmah and Tiphareth. This represents the fiery energy and activity of the masculine Chokmah coming down to provide order to the world, allowing for the balance and experience of Tiphareth to exist. This card is the active force attempting to bring the world into balance; the revelation of the divine will of God.
In a reading, this card asks you to examine the role of authority and the law in your life. Has the law been just to you? It also requests that you examine your own sense of identity and your power relationships with others, as well as what your legacy will be once you are gone. Reversed, this card’s energies are hidden or twisted somehow; perhaps their is authority but no order, or the law is not serving its true purpose.
The Empress
III – Dalet – Venus – Door
Nurture, Sensuality, Charm, and Humility
The Empress, fourth of the Major Arcana, corresponds to the Hebrew letter Dalet. The letter Dalet represents the poor man that the rich man from the letter Gimel comes to give charity to. The letter Dalet represents humility and the acceptance of one’s own “lowliness” and lack of divinity; the keys to pass through the door to heaven. Realizing the relative unimportance of oneself is key to this humility, and along with this realization comes the ability to sacrifice oneself for others, like a mother sacrificing herself for her children – and this idea of motherhood is central to the Empress. She represents the second phase of the moon (that the Priestess is the first of). She is the nurturing and caring aspect of the feminine; the mother. She is selfless and lives to help others, nurturing them so that they grow. She is the door (as represented in the pictographic predecessor of the letter Dalet) to her own salvation and that of others.
Venus is the Empress’ astrological equivalent; beauty, love, sex, intimacy, personal magnetism, harmony, elegance, refinement, grace, allure, and ability to interact on a deeper level with others, even if only for a short period of time. While her Hebrew equivalent is humble, her astrological equivalent is quite astonishing and amazing; it is therefore quite a feat that one so dazzling can still be so humble. The Empress knows exactly how attractive and sensual she can be, and what effects her charms have over others, but she does not abuse it, nor is she proud of it; she is thankful to God for the gifts he has given her, for she knows that without him she would be nothing.
The Empress also stands as the link between Chokmah (First Manifestation) and Binah (Potential and Understanding) in the Tree of Life; the first of the Major Arcana to not emanate from Kether. The Empress represents the active nurturing aspect that leads to one’s potential being realized; she is the original harmony using its nature to help others grow into all that they possible can be. The Empress is the sensual mother, deeply connected to the Earth and the material; by realizing her own lack of divinity she is very, very earthy. She is attractive, alluring, fertile, sexual and sensual, and kind and nurturing. She represents growth – as is evident by looking at the green growth surrounding the Empress in the Rider-Waite image – and a connection to nature. She is beautiful and charming, and is the ultimate mother. She is passionate and loves life, and so helps to bring it into the world, representing the beginning of new life as well, as given to her through the Emperor’s – her consort’s – seed. She is the female counterpart of the Emperor.
The Thoth illustration emphasizes her nurturing and beautiful nature; her arms are held as if holding something precious, and a beautiful swan and other birds lie scattered about her. She holds a flower in her hand, and looks away coyly. Moons are visible around her, emphasizing her feminine nature, and she has two embracing swans on a shield at her feet, emphasizing her association with sensuality.
In a reading, the Empress asks you to examine the role of caretakers in your life, as well as sensuality, physical sensations, and attractiveness. It asks you to re-evaluate your connection with nature, and advise you perhaps to start caring more for others – or allowing others to care for you. Reversed, this card’s energies are twisted, blocked, or distorted somehow; perhaps you are receiving care that is not the best for you, or someone is using their attractiveness in a very not-humble way.
EsoTarot 